WORK

  Familiar Faces
  New beginnings, old endings...
  (I’m)material
  Farewell Foolish Filaments
  Color, Balance
  Keep it Floating Forever
  Figural Moments
  Detouched
  Where I End and You Begin
  Absent Minded Monotonous Splendor
  The Continuous Work Drawings
  Similar Seemingly Absurd Infinities

  PROJECT INDEX
  ARCHIVE  

RECENT
 
  Contemporary & Digital Art Fair
  Jun 17 - June 23, 2021  

  In The Wake Of Slumber
  Paradice Palase, Brooklyn
  May 15 - June 9, 2021
 
  Solo Show - Human Nature Perfectly
  Below Grand, NYC
  March 22, 2021

  Deep Field Residency
  Below Grand, NYC
  February, 2021

  Art Maze Magazine
  Issue 21, Jan 2021

  Dovetail Magazine
  Issue 2,
Dec 2020

  Solo Show - I Am A Portrait
  Undercurrent, Brooklyn, NY
  Jan 10th - Feb 8th, 2020

  Imperfections Made Perfect
  Museum of Contemporary Digital Art


︎︎

© 2021 Travis LeRoy Southworth
Mark

The Continuous Work Drawings, 2012

archival pigmented prints, 5.5 x 8.5 in on 8.5 x 11 in paper
Installation photos from the exhibition Getting to Infinity, Walsh Gallery, Seton Hall University, South Orange, NJ, 2015


Would you like a few minutes of my time… in the form of a drawing?

Timing is everything. In January of 2012 I started a new series The Continuous Work Drawings (Double Dip), making 1500 drawings in a span of a few months. The series began as a way to think about the relationship of time spent doing other tasks during the day when I rather be making art. I wondered if it was possible to do both, make art and work at the same time, to double dip in a way. My day job primarily consists of using Adobe Photoshop to remove imperfections and altering color for fashion and beauty advertisements. Movements of the stylus on the tablet are recorded as simple continuous paths. Visually they are reminiscent of the particle collision event displays recorded at the Large Hadron Collider, which I had the amazing opportunity to visit in 2013. While particle collisions are captured in a millionth of a second, my drawings are akin to personal event displays, recording collisions of time and the infinitesimal amounts of the digital space I alter on a daily basis.

Each drawing was created through a computer program that tracked my cursor while retouching photos at work. Most clocked between 4-6 minutes each, the time it took to finish editing an E-commerce photograph. On the back of each work is the drawing number, date, minutes passed and time of day. I thought about the connection of time to labor and wanted to be able to make the drawings affordable enough so anyone could buy one. Each work is an edition of one and comes with a gray mat and black frame.