Travis LeRoy Southworth

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	<title>Travis LeRoy Southworth</title>
	<link>https://travisleroysouthworth.com</link>
	<description>Travis LeRoy Southworth</description>
	<pubDate>Tue, 15 Jul 2025 10:26:45 +0000</pubDate>
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		<title>home</title>
				
		<link>https://travisleroysouthworth.com/home</link>

		<pubDate>Mon, 16 Jan 2023 16:24:59 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

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		<description>
	About
Travis LeRoy Southworth is a conceptual artist whose digital practice, active since the late 1990s, investigates the aesthetics of labor, perception, and the digital body in a world of manipulated images and online identities. 


 Southworth is a recipient of a Fellowship from the New York Foundation for the Arts and an artist residency involving the Large Hadron Collider at CERN. He was also one of the first artists to create work on SuperRare in 2018. Southworth began integrating machine learning in his practice in 2019.
	Writing&#60;img width="540" height="360" width_o="540" height_o="360" data-src="https://freight.cargo.site/t/original/i/e501da678e35fc47ae31bcc4732bd026984219b0d411d7c15432fb448c32082b/Scratching-the-Surface_Travis-LeRoy-Southworth_Artsy_Breezy-Art_Interview-400x600.jpg" data-mid="164897985" border="0"  src="https://freight.cargo.site/w/540/i/e501da678e35fc47ae31bcc4732bd026984219b0d411d7c15432fb448c32082b/Scratching-the-Surface_Travis-LeRoy-Southworth_Artsy_Breezy-Art_Interview-400x600.jpg" /&#62;
	Work&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/058b96c80947d90d3afcd9ac5be9f14ce2abd9ac5ee6aea0eb9f5498a5ace13c/i-am-a-portrait_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164900541" border="0"  src="https://freight.cargo.site/w/1000/i/058b96c80947d90d3afcd9ac5be9f14ce2abd9ac5ee6aea0eb9f5498a5ace13c/i-am-a-portrait_Travis-LeRoy-Southworth_4x6.jpg" /&#62;


Exhibitions
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/7956603fb070c24c91f531380360f933a3e3ea8a8efbb2e436fe54cc6a34ca99/TRUST_Travis-LeRoy-Southworth_small-4x6.jpg" data-mid="164898832" border="0" alt="DYOR, Kunsthalle, Zurich, 2022" data-caption="DYOR, Kunsthalle, Zurich, 2022" src="https://freight.cargo.site/w/1000/i/7956603fb070c24c91f531380360f933a3e3ea8a8efbb2e436fe54cc6a34ca99/TRUST_Travis-LeRoy-Southworth_small-4x6.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d3c5920a394c2c446ccfa9f77c079257791caa755457b98c50a106892d1f8e97/Human-Nature-Perfectly_Super-DutchessFRONT_Travis-LeRoy-Southworth-4x6.jpg" data-mid="164899344" border="0" alt="Human Nature Perfectly, Below Grand, 2021" data-caption="Human Nature Perfectly, Below Grand, 2021" src="https://freight.cargo.site/w/1000/i/d3c5920a394c2c446ccfa9f77c079257791caa755457b98c50a106892d1f8e97/Human-Nature-Perfectly_Super-DutchessFRONT_Travis-LeRoy-Southworth-4x6.jpg" /&#62;
&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/08fdc2ed00873428ea60f68503d9342c20868b68eeac44b875ab47a04cdef46a/I-Am-A-Portrait_Travis-LeRoy-Southworth-Undercurrent-Brooklyn_Solo-Show-2.jpg" data-mid="164894746" border="0" alt="I Am A Portrait, Undercurrent, 2020" data-caption="I Am A Portrait, Undercurrent, 2020" src="https://freight.cargo.site/w/1000/i/08fdc2ed00873428ea60f68503d9342c20868b68eeac44b875ab47a04cdef46a/I-Am-A-Portrait_Travis-LeRoy-Southworth-Undercurrent-Brooklyn_Solo-Show-2.jpg" /&#62;
Series
&#60;img width="1125" height="750" width_o="1125" height_o="750" data-src="https://freight.cargo.site/t/original/i/d843edbb34fcd83b1389944b900992060a545da1c0d787ac4a0908d306b2e458/001_REVELATIONS_APOCALYPSE...NOW..._Travis-LeRoy-Southworth_4x6jpg.jpg" data-mid="164900147" border="0" alt="REVELATIONS, 2022" data-caption="REVELATIONS, 2022" src="https://freight.cargo.site/w/1000/i/d843edbb34fcd83b1389944b900992060a545da1c0d787ac4a0908d306b2e458/001_REVELATIONS_APOCALYPSE...NOW..._Travis-LeRoy-Southworth_4x6jpg.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/fce38f39469e3b13a7312215a477b19e63b3ab774db828f265f924f92d571660/0170_Liminals_Hesitant-Pill_Travis-LeRoy-Southworth_detail-4x6.jpg" data-mid="164899889" border="0" alt="Liminals, 2022" data-caption="Liminals, 2022" src="https://freight.cargo.site/w/1000/i/fce38f39469e3b13a7312215a477b19e63b3ab774db828f265f924f92d571660/0170_Liminals_Hesitant-Pill_Travis-LeRoy-Southworth_detail-4x6.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/84b78438375ca9a58a78ac17d87232333613fbf66aaa9988876033d5e187517e/04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164900309" border="0" alt="T.M.O.O.P.  2019 - 2056" data-caption="T.M.O.O.P.  2019 - 2056" src="https://freight.cargo.site/w/1000/i/84b78438375ca9a58a78ac17d87232333613fbf66aaa9988876033d5e187517e/04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth_4x6.jpg" /&#62;
Available works as NFTs
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/dca53f22faa7ea79985ab17515108a111f6a7072e36b9fb14b1c2cedc8d861e9/skin-deep.jpg" data-mid="164894780" border="0" alt="Available works on SuperRare" data-caption="Available works on SuperRare" src="https://freight.cargo.site/w/550/i/dca53f22faa7ea79985ab17515108a111f6a7072e36b9fb14b1c2cedc8d861e9/skin-deep.jpg" /&#62;
&#60;img width="1020" height="1020" width_o="1020" height_o="1020" data-src="https://freight.cargo.site/t/original/i/b62162e5573bd3a66ed16ec955c9f7357e79442580385504a9712147a7d47941/Thresholds_Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" data-mid="164902171" border="0" alt="Thresholds" data-caption="Thresholds" src="https://freight.cargo.site/w/1000/i/b62162e5573bd3a66ed16ec955c9f7357e79442580385504a9712147a7d47941/Thresholds_Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" /&#62;
&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/082a1c3247724e05277ffd8b89feede79e7cad82f6e7545301ea15a8644be8d9/24-I-am-a-square_Travis-is-a-Punk_Travis-LeRoy-Southworth.png" data-mid="164901904" border="0" alt="I'm a square" data-caption="I'm a square" src="https://freight.cargo.site/w/1000/i/082a1c3247724e05277ffd8b89feede79e7cad82f6e7545301ea15a8644be8d9/24-I-am-a-square_Travis-is-a-Punk_Travis-LeRoy-Southworth.png" /&#62;
&#60;img width="6000" height="6000" width_o="6000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/880b5a4763b3cc69a31fbf0bcc0d81df24de0597300881509aa62e00ce5a6e96/the-physical-impossibility-of-DALL-E-creating-something-that-exists-in-the-mind-of-an-artist_Travis-LeRoy-Southworth.png" data-mid="164902087" border="0" alt="The Physical Impossibility of DALL-E creating something that exists in the Mind of an Artist" data-caption="The Physical Impossibility of DALL-E creating something that exists in the Mind of an Artist" src="https://freight.cargo.site/w/1000/i/880b5a4763b3cc69a31fbf0bcc0d81df24de0597300881509aa62e00ce5a6e96/the-physical-impossibility-of-DALL-E-creating-something-that-exists-in-the-mind-of-an-artist_Travis-LeRoy-Southworth.png" /&#62;
@2026&#38;nbsp;Travis LeRoy Southworth</description>
		
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		<title>ai works</title>
				
		<link>https://travisleroysouthworth.com/ai-works</link>

		<pubDate>Tue, 15 Jul 2025 10:26:45 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/ai-works</guid>

		<description>Works using AI, 2019 - Present
Travis LeRoy Southworth 
became interested in the possibility of using artificial intelligence in his work shortly after he participated in an artist residency in Switzerland, that involved a project with the Large Hadron Collider at CERN in 2013. It was here Southworth became inspired by the colliding of subatomic particles to find hidden ones. Later that same year he wrote a proposal about the possibility of ‘colliding’ different types of digital images to form new ones, predicting the development of GAN imagery. At the time, however, when Southworth tried to generate interest in the proposal, there was little understanding of how such an idea could be realized—or even where to begin. It wasn’t until several years later that&#38;nbsp;


Southworth focused more on neural networks in 2018 and directly integrating machine learning in his practice in 2019. He was also one of the first artists to create work on SuperRare in 2018 and helped beta test Playform 2019. He was also using Runway ML in 2020, Midjourney, ChatGPT and Dall-E in early 2022.
Below of are some projects Southworth has created with the use of AI tools.

Thresholds, 2019 - 2023
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&#60;img width="850" height="1000" width_o="850" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6017e1603af4995b665a376ef429ab7c89d363e6afb254cf84f33e673c33e3cf/An-Image-of-Someone-Once-Mentioned-To-Me_Thresholds_Travis-LeRoy-Southworth_small.jpg" data-mid="235822112" border="0"  src="https://freight.cargo.site/w/850/i/6017e1603af4995b665a376ef429ab7c89d363e6afb254cf84f33e673c33e3cf/An-Image-of-Someone-Once-Mentioned-To-Me_Thresholds_Travis-LeRoy-Southworth_small.jpg" /&#62;
&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/f2c25ef58b804f48b22ece0643f886d6eacf016f3d65b51752295e31ec13d06c/1.-Wholesale-Semblance---Southworth---web.jpg" data-mid="235822156" border="0"  src="https://freight.cargo.site/w/1000/i/f2c25ef58b804f48b22ece0643f886d6eacf016f3d65b51752295e31ec13d06c/1.-Wholesale-Semblance---Southworth---web.jpg" /&#62;
&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2f9c314e926af9a76d6e5e46c62bbb9f3ff449515ca6e6691db7e0889f3fb0e8/9.-Shared-But-Not-Held---Southworth---web.jpg" data-mid="235822158" border="0"  src="https://freight.cargo.site/w/1000/i/2f9c314e926af9a76d6e5e46c62bbb9f3ff449515ca6e6691db7e0889f3fb0e8/9.-Shared-But-Not-Held---Southworth---web.jpg" /&#62;
Thresholds is a series of three projects of digital artworks created through GANs (Generative Adversarial Networks) and later on with the addition of my own computerized brush strokes. I use the word 'threshold' as it can be a boundary or a starting point of an experience. I like its connection to the words 'thresh,'meaning "to separate seed from a plant using a machine" and 'thrash,' meaning "to beat soundly or go over again and again."&#38;nbsp;Link to project 

New Beginnings, Old Endings, Secrets Secreting, 2019-20


&#60;img width="5366" height="6829" width_o="5366" height_o="6829" data-src="https://freight.cargo.site/t/original/i/4e1fdd2ba25610769a28f5dd0af1f98820e08d7c150b381368aa73670426b532/The-Look-Before-Last-task_379_gan_turn_8500_iter_3_0.jpg" data-mid="235824111" border="0" alt="The Look Before Last" data-caption="The Look Before Last" src="https://freight.cargo.site/w/1000/i/4e1fdd2ba25610769a28f5dd0af1f98820e08d7c150b381368aa73670426b532/The-Look-Before-Last-task_379_gan_turn_8500_iter_3_0.jpg" /&#62;
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&#60;img width="943" height="1200" width_o="943" height_o="1200" data-src="https://freight.cargo.site/t/original/i/27eb881b7b509c05f8440ca8ea789b6dde67dadcd033d5793e71b4ec32975c0c/Just-Beyond-Recognition_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" data-mid="235824150" border="0" alt="Just Beyond Recognition" data-caption="Just Beyond Recognition" src="https://freight.cargo.site/w/943/i/27eb881b7b509c05f8440ca8ea789b6dde67dadcd033d5793e71b4ec32975c0c/Just-Beyond-Recognition_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" /&#62;
&#60;img width="943" height="1200" width_o="943" height_o="1200" data-src="https://freight.cargo.site/t/original/i/a6579ce840c3d27d33716591177cd9fc391f24d26cfa0c22cbe3290006cabf4a/Undo-Onto_2020_New-Beginnings-Old-Endings-Secrets-Secreting-1.jpg" data-mid="235824160" border="0" alt="Undo Onto" data-caption="Undo Onto" src="https://freight.cargo.site/w/943/i/a6579ce840c3d27d33716591177cd9fc391f24d26cfa0c22cbe3290006cabf4a/Undo-Onto_2020_New-Beginnings-Old-Endings-Secrets-Secreting-1.jpg" /&#62;
New Beginnings, Old Endings, Secrets Secreting (2019-2020) is a series of diaphanous portraits created in part with machine learning algorithms. Southworth’s artworks have an unrefined yet overly saturated quality to them. Closeups of smudged faces appear to disperse into featureless surroundings. Rooted in his previous work involving facial imperfections abstracted from beauty advertisements, this series embraces the artifacts of early AI-generated images. These flaws—raw and vulnerable—contrast sharply with the polished outputs of today, embodying a nascent authenticity that feels poignant and human. 
Link to project&#38;nbsp;
JPEG: Just Poetic Electronic Glitches, 2021

&#60;img width="850" height="850" width_o="850" height_o="850" data-src="https://freight.cargo.site/t/original/i/11ab98b5624838fd6d63c1a22999bf6112ac8246b100ad088a3da4c92bd9d63a/JUBILANT-PORN-ENCODED-GOODS-850pxJPEG_Travis-LeRoy-Southworth.jpg" data-mid="235826564" border="0"  src="https://freight.cargo.site/w/850/i/11ab98b5624838fd6d63c1a22999bf6112ac8246b100ad088a3da4c92bd9d63a/JUBILANT-PORN-ENCODED-GOODS-850pxJPEG_Travis-LeRoy-Southworth.jpg" /&#62;
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JPEG: Just Poetic Electronic Glitches is a series of 24 images, where the familiar acronym 'JPEG' is reimagined into various creative phrases. Each unique wording serves as a prompt for an early text-to-image AI to generate pixelated visuals. Link to project

Algorithmic Ennui, 2022

&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/0b76f4f010e012920335c0362b6a7290e738cc37715c2e056356392e1e30ffef/1-1-AI-00000-00000-AI-Art_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="236136558" border="0" alt="11 AI 00000 00000 AI Art" data-caption="11 AI 00000 00000 AI Art" src="https://freight.cargo.site/w/768/i/0b76f4f010e012920335c0362b6a7290e738cc37715c2e056356392e1e30ffef/1-1-AI-00000-00000-AI-Art_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/c955b157cef79eee99a7cab0072fbc73691bb24156068b9449b410501c7a018d/I-Will-No-Longer-Art-or-AI_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="235827482" border="0" alt="I Will No Longer Art or AI!" data-caption="I Will No Longer Art or AI!" src="https://freight.cargo.site/w/768/i/c955b157cef79eee99a7cab0072fbc73691bb24156068b9449b410501c7a018d/I-Will-No-Longer-Art-or-AI_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/c2cde991aa2df8dcf7324b30af6d83c9313d50545ec58d369e0aacc890e808b2/Boing-AI-Art_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="235827486" border="0" alt="Boing AI Art" data-caption="Boing AI Art" src="https://freight.cargo.site/w/768/i/c2cde991aa2df8dcf7324b30af6d83c9313d50545ec58d369e0aacc890e808b2/Boing-AI-Art_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/40c31bcbcaf0c8dc29d4db05a1efbd20756162f14f44c848a0503903f3763f7f/I-Art-Longer_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="235827487" border="0" alt="I Art Longer" data-caption="I Art Longer" src="https://freight.cargo.site/w/768/i/40c31bcbcaf0c8dc29d4db05a1efbd20756162f14f44c848a0503903f3763f7f/I-Art-Longer_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/71c734bf117f10c0b63343d09462c4bbb3265384664b912d3fce701aef42bd3f/AI-Banger_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="236131922" border="0" alt="AI Banger" data-caption="AI Banger" src="https://freight.cargo.site/w/768/i/71c734bf117f10c0b63343d09462c4bbb3265384664b912d3fce701aef42bd3f/AI-Banger_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
In dialogue with John Baldessari’s 1971 seminal conceptual piece “I Will Not Make Any More Boring Art,” Travis LeRoy Southworth’s Algorithmic Ennui (I Will No Longer Make Boring AI Art) shifts the performative task of repetitive writing from human to machine, challenging notions of authorship, intent, and the aesthetics of boredom versus beauty Southworth outsources his slighly altered phrase to an early text-to-image generative artificial intelligence program, prompting the algorithm to endlessly simulate handwriting within notebook pages. Yet, as the AI system repeatedly fails at literal replication—generating scrambled phrases such as “I Art Longer,” “AI Not Me” and “I Will No Longer Art Or AI”—it produces moments of accidental poetry and mesmerizing abstraction. Link to project
Terms of Service, 2022


&#60;img width="3300" height="2400" width_o="3300" height_o="2400" data-src="https://freight.cargo.site/t/original/i/41ed3cf2f69da3952e045ef1805402c7bc83fe3a67a36183a7ba96fa920c8190/Terms-of-Service_Install_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827658" border="0"  src="https://freight.cargo.site/w/1000/i/41ed3cf2f69da3952e045ef1805402c7bc83fe3a67a36183a7ba96fa920c8190/Terms-of-Service_Install_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="2432" height="2800" width_o="2432" height_o="2800" data-src="https://freight.cargo.site/t/original/i/69b52455290ae5a40b2752836029afa11e07bbe8dc99f278b4a77f43228f6b36/Terms-of-Service_2022_Travis-LeRoy-Southworth.jpg" data-mid="235827664" border="0"  src="https://freight.cargo.site/w/1000/i/69b52455290ae5a40b2752836029afa11e07bbe8dc99f278b4a77f43228f6b36/Terms-of-Service_2022_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1101" height="1317" width_o="1101" height_o="1317" data-src="https://freight.cargo.site/t/original/i/2f3f3b48476d3788cf1915f7d92155bf7fce8998d72d5ce5b2b19ab36f48df53/I-have-you-I-hate-you-I-love-you_Terms-of-Service_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827662" border="0"  src="https://freight.cargo.site/w/1000/i/2f3f3b48476d3788cf1915f7d92155bf7fce8998d72d5ce5b2b19ab36f48df53/I-have-you-I-hate-you-I-love-you_Terms-of-Service_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="706" height="911" width_o="706" height_o="911" data-src="https://freight.cargo.site/t/original/i/0cb29ef5b51d59baa6537f7dc89f5dc56651519fa8e286ddeb9048be3dd63193/so-sorry-for-your-loss_Terms-of-Service_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827663" border="0"  src="https://freight.cargo.site/w/706/i/0cb29ef5b51d59baa6537f7dc89f5dc56651519fa8e286ddeb9048be3dd63193/so-sorry-for-your-loss_Terms-of-Service_Travis-LeRoy-Southworth_2022.jpg" /&#62;

Terms of Service is a series of introspective text-based artworks surrounding existence, labor and value. The artist Travis LeRoy Southworth uses computer programs, not just as a tool but as an entity with which he attempts to outsource personal grief and contemplation through ‘artificially intelligent' software and machine drawn messages. Each piece exists a physically machine plotted drawing. Black and white plots are created on letter-sized paper, suggesting the possibility to be physically mailed, in hopes to initiate further communication. Link to project


REVELATIONS, 2022
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/321c52eb29f82a5ffac6a15cc83aed30dfd37224e6c77a4c745f0ea21070cb7f/001-APOCALYPSE...NOW..._REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827603" border="0"  src="https://freight.cargo.site/w/1000/i/321c52eb29f82a5ffac6a15cc83aed30dfd37224e6c77a4c745f0ea21070cb7f/001-APOCALYPSE...NOW..._REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/212b5954815c74b7df20758aa9c7c043a975825ff2bb99853ea777ce644ef4e2/002-CAPTURING_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827604" border="0"  src="https://freight.cargo.site/w/1000/i/212b5954815c74b7df20758aa9c7c043a975825ff2bb99853ea777ce644ef4e2/002-CAPTURING_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f570cf86207829db80e7e4be9cbacf29c4a85b9e27900d5c3ae0561f5c683eee/129-ECO-NO-ME_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827611" border="0"  src="https://freight.cargo.site/w/1000/i/f570cf86207829db80e7e4be9cbacf29c4a85b9e27900d5c3ae0561f5c683eee/129-ECO-NO-ME_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/1db820b300b4f78fbc42eb8166baea39e93125e7ef6f8dbf3f60d62f9b73a180/084-ART-IF-I-CIA-LIE_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827609" border="0"  src="https://freight.cargo.site/w/1000/i/1db820b300b4f78fbc42eb8166baea39e93125e7ef6f8dbf3f60d62f9b73a180/084-ART-IF-I-CIA-LIE_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/83a7413a05367b4c78c6f28ce5e3cfe7f98d25d3867622d76c95a02db549353a/003-TESTING-TESTING-IS-ANY-BODY-OUT_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827605" border="0"  src="https://freight.cargo.site/w/1000/i/83a7413a05367b4c78c6f28ce5e3cfe7f98d25d3867622d76c95a02db549353a/003-TESTING-TESTING-IS-ANY-BODY-OUT_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
REVELATIONS is a series of 256 works by Travis LeRoy Southworth that explores moments of quiet absurdity to existential crisis linked to the growing marketplace of algorithms and artistic production. Southworth uses text and image to reveal shifting sentiments and further question how the tools we use attribute to digital identity and social relationships. Link to project

Origins, 2023
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/aeab6d104ef3fe11865045944237a5efc21e61351ba6a05eb9d19548c21c652e/1_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827988" border="0"  src="https://freight.cargo.site/w/768/i/aeab6d104ef3fe11865045944237a5efc21e61351ba6a05eb9d19548c21c652e/1_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/ed68e57d4537f5204e7954c623454a5dcd87aeb51dd7082cc35b3e95ba87c996/6_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827993" border="0"  src="https://freight.cargo.site/w/768/i/ed68e57d4537f5204e7954c623454a5dcd87aeb51dd7082cc35b3e95ba87c996/6_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/5ce4857bcd95ae7367fbf203fe36be7b6df829d352a7127e2a45c4e31bffdfeb/2_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827989" border="0"  src="https://freight.cargo.site/w/768/i/5ce4857bcd95ae7367fbf203fe36be7b6df829d352a7127e2a45c4e31bffdfeb/2_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8452e09f709fd7ddaff55631597a8fe3a076121a5a1b5803baec1176de54dc0a/3_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827990" border="0"  src="https://freight.cargo.site/w/768/i/8452e09f709fd7ddaff55631597a8fe3a076121a5a1b5803baec1176de54dc0a/3_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/f9e8bd3dcb5e114aa61e79f52af09b555433d39a84b1c72d11acd1a08b0f62af/4_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827991" border="0"  src="https://freight.cargo.site/w/768/i/f9e8bd3dcb5e114aa61e79f52af09b555433d39a84b1c72d11acd1a08b0f62af/4_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;

Origins is series of AI generated artworks by Travis LeRoy Southworth that bridge ancient human expressions and contemporary digital communication. Drawing inspiration from Argentina's Cueva de las Manos, where prehistoric handprints serve as age-old testaments of human existence, Southworth crafts a series of works delve into the primal and symbolic nature of caves, mirroring our evolving journey into the digital realm. Southworth employs a combination of portraiture and color field images as the foundation of each work, feeding these into a Generative Adversarial Network (GAN). From these ‘under-paintings’ the artist further employs an array of AI algorithms to shape each work. At first glimpse each cave appears still, but then slowly starts shift, seeming to breathe and have a life of its own. Link to project


The Revenant, 2024
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/07dc5d827b6dbe3f58a28f07a35cfb6038ab373b2f9ee62aa515ba2cf1ee2f30/27-Early-Obituary_The-Revenant_Travis-LeRoy-Southworth_2023.gif" data-mid="235828522" border="0"  src="https://freight.cargo.site/w/512/i/07dc5d827b6dbe3f58a28f07a35cfb6038ab373b2f9ee62aa515ba2cf1ee2f30/27-Early-Obituary_The-Revenant_Travis-LeRoy-Southworth_2023.gif" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/5350b30f8d2dc019145d5e5c2f0e343a6fd33681f8e3b260c9fb1d25a1b5841f/37-Opinions-Are-Still-Divided_The-Revenant_Travis-LeRoy-Southworth_2023.gif" data-mid="235828523" border="0"  src="https://freight.cargo.site/w/512/i/5350b30f8d2dc019145d5e5c2f0e343a6fd33681f8e3b260c9fb1d25a1b5841f/37-Opinions-Are-Still-Divided_The-Revenant_Travis-LeRoy-Southworth_2023.gif" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/2ff9aa83b1db76e111bbd46928874f56895ebb48ef20afef7ff68d2c737d3849/367-Not-Built-To-Last_The-Revenant_Travis-LeRoy-Southworth_2024.gif" data-mid="235828524" border="0"  src="https://freight.cargo.site/w/512/i/2ff9aa83b1db76e111bbd46928874f56895ebb48ef20afef7ff68d2c737d3849/367-Not-Built-To-Last_The-Revenant_Travis-LeRoy-Southworth_2024.gif" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/374045d928f29e40e773867acab44bbca4ab0b2d9b3bfb08c5d74fcca812027a/441-Infinite-Supply-Of-New-People_The-Revenant_Travis-LeRoy-Southworth_2023.gif" data-mid="235828525" border="0"  src="https://freight.cargo.site/w/512/i/374045d928f29e40e773867acab44bbca4ab0b2d9b3bfb08c5d74fcca812027a/441-Infinite-Supply-Of-New-People_The-Revenant_Travis-LeRoy-Southworth_2023.gif" /&#62;
The Revenant: Sovereign Portraits for a Faceless Future is a series of 476 animated works by Travis LeRoy Southworth. This collection delves into the themes of identity, resurgence, and the enduring nature of bitcoin and digital art amidst a backdrop of repeated dismissals and skepticism.&#38;nbsp;Drawing inspiration from his engagement with machine learning technologies since 2018, Southworth utilizes synthetic photography (A.I. text-to-image prompting) to craft the portraits that symbolize a future where identities are ambiguous and fluid. These portraits are set against a vague, cloud-like milieu, embodying both the universal and the anonymous. Shrouded in a thick, swirling mist, they resist easy recognition, mirroring the enigmatic character of digital identities and the fleeting attention given to cryptocurrencies. Link to project


Omnia Ludens, 2024
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/fb85cd1c6ed101bf35f12bcd62bee0c52f6773dbae84dbe03d8c7382cb769471/Beauty-in-the-Breakdown_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" data-mid="235830059" border="0"  src="https://freight.cargo.site/w/1000/i/fb85cd1c6ed101bf35f12bcd62bee0c52f6773dbae84dbe03d8c7382cb769471/Beauty-in-the-Breakdown_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" /&#62;
&#60;img width="1792" height="1195" width_o="1792" height_o="1195" data-src="https://freight.cargo.site/t/original/i/01802357b6c9719ed620508fa172ec448566aa6a0ca372e2ac8e6c3c6a5f815b/Swallow-Every-Image_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" data-mid="235830062" border="0"  src="https://freight.cargo.site/w/1000/i/01802357b6c9719ed620508fa172ec448566aa6a0ca372e2ac8e6c3c6a5f815b/Swallow-Every-Image_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" /&#62;
&#60;img width="1839" height="1839" width_o="1839" height_o="1839" data-src="https://freight.cargo.site/t/original/i/9fcfa0a6548d7f2efc9fdfffc29c9e7db806e91160de76778c8c067252d680ec/Point-Break_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" data-mid="235830061" border="0"  src="https://freight.cargo.site/w/1000/i/9fcfa0a6548d7f2efc9fdfffc29c9e7db806e91160de76778c8c067252d680ec/Point-Break_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" /&#62;
&#60;img width="1800" height="2400" width_o="1800" height_o="2400" data-src="https://freight.cargo.site/t/original/i/1a1f20602b4b46fb140277a99b1e8240b72998a54971dba910f3234f14f10564/Ghosting-the-Machine_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" data-mid="235830060" border="0"  src="https://freight.cargo.site/w/1000/i/1a1f20602b4b46fb140277a99b1e8240b72998a54971dba910f3234f14f10564/Ghosting-the-Machine_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" /&#62;

Omnia Ludens—a poetic translation from Latin for “Everything in Play”—is a reflection on authenticity and artifice in the age of image creation and artificial intelligence. In this project Southworth seeks out the essence of AI diffusion models, which are trained on vast image datasets. His process involves repurposing printer test images—those ubiquitous mosaics of generic photographs, colors and shapes designed to maintain color accuracy—into AI prompts to generate new works. This intersection of mechanical reproduction and neural network appropriation reflects a new paradigm where anything imaginable can be manifested. Link to project


Artifacts, 2025
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7f849905dfbc87a0927b8636b5d414281b50d56897528e36f2f2bfbc94b3a23c/Artifact_001_Travis-LeRoy-Southworth_web.jpg" data-mid="235830204" border="0"  src="https://freight.cargo.site/w/900/i/7f849905dfbc87a0927b8636b5d414281b50d56897528e36f2f2bfbc94b3a23c/Artifact_001_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/568085148a8bc648ee959a645c002d7c94e150e699221ae74f8a42d63a0a2939/Artifact_002_Travis-LeRoy-Southworth_web.jpg" data-mid="235830205" border="0"  src="https://freight.cargo.site/w/900/i/568085148a8bc648ee959a645c002d7c94e150e699221ae74f8a42d63a0a2939/Artifact_002_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/f6e89e8d43d3957765849bb43a49cd72081a2d58e0a4b357fe5e1d588e8d0c09/Artifact_003_Travis-LeRoy-Southworth_web.jpg" data-mid="235830206" border="0"  src="https://freight.cargo.site/w/1000/i/f6e89e8d43d3957765849bb43a49cd72081a2d58e0a4b357fe5e1d588e8d0c09/Artifact_003_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/adaa9426783ce6345241257901c60f68b8a105f1a526dceb48bc82fba120b345/Artifact_004_Travis-LeRoy-Southworth_web.jpg" data-mid="235830207" border="0"  src="https://freight.cargo.site/w/1000/i/adaa9426783ce6345241257901c60f68b8a105f1a526dceb48bc82fba120b345/Artifact_004_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2a1efdd3367baf7732525b1064fa37ab1cc7ca897de5f0be264b5632ccee806a/Artifact_006_Travis-LeRoy-Southworth_web.jpg" data-mid="235830303" border="0"  src="https://freight.cargo.site/w/1000/i/2a1efdd3367baf7732525b1064fa37ab1cc7ca897de5f0be264b5632ccee806a/Artifact_006_Travis-LeRoy-Southworth_web.jpg" /&#62;
Artifacts is aseries of abstract works by Travis LeRoy Southworth. “Artifacts” is composed of 3:4 portrait sized fragments, merging human intention with machine-learning distortions in a symbolic interplay of form and error. Southworth chose the word ‘artifact’ due to its multi-layered meaning; from an object shaped by human craft to a distortion produced by technological interference. The work is meant to echo both the creative eye of the artist and the “glitches” that arise when machines interpret reality. By embracing the possibility of inaccurate observations or unwanted features, these compositions highlight the interplay between deliberate intent and the unpredictable outcomes of AI generative algorithms. Link to project


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		<title>info</title>
				
		<link>https://travisleroysouthworth.com/info</link>

		<pubDate>Fri, 17 Jul 2020 11:54:32 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/info</guid>

		<description>Info
	&#60;img width="865" height="1054" width_o="865" height_o="1054" data-src="https://freight.cargo.site/t/original/i/956b56edd4972b50deaa32109087cb4ca4436590ae2bd8f1f23a1ce4ff0c2a6d/Travis---33_2358HH_C-2500px-BW-2.jpg" data-mid="157542898" border="0"  src="https://freight.cargo.site/w/865/i/956b56edd4972b50deaa32109087cb4ca4436590ae2bd8f1f23a1ce4ff0c2a6d/Travis---33_2358HH_C-2500px-BW-2.jpg" /&#62;
Photo by Heather Hazzan


	Travis LeRoy Southworth (b. 1979, Honolulu, Hawaii) is an American conceptual artist working in digital media since the late 1990s. His work extends through Post-Internet and touches on aspects of computerized labor and self-perception in the age of image manipulation and social media. In 2017, Southworth began researching blockchain technology and machine learning in 2018. He contributed to the beta-testing of the SuperRare as well as Playform, an early website allowing artists to use artificial intelligence imagining tools.


Southworth's solo exhibitions have been featured in prominent venues such as Below Grand NYC, Undercurrent, Freight + Volume, and Mixed Greens. Additionally, his work has been part of group exhibitions at the Zurich Kunsthalle, The Museum of Contemporary Digital Art, The Trinity Church Museum, The Drawing Center, The Chicago Cultural Center, and The Bronx Museum of the Arts. His work has been written about in the New York Times, Artsy, Basler Zeitung, and Art Slant.&#38;nbsp;Southworth holds a MFA from the School of the Art Institute of Chicago and a BFA from the University of Arizona.
Southworth’s series Detouched involving image manipulation and portraiture received a Fellowship in Photography from the New York Foundation for the Arts (NYFA) in 2010. He also participated in a residency in Switzerland, that involved a project with the Large Hadron Collider at CERN in 2013. It was here Southworth became inspired by the colliding of subatomic particles to find hidden ones. In early 2013 he wrote a paper about the possibility of ‘colliding’ different types of digital images to form new ones, predicting the development of AI imagery.&#38;nbsp;
Works in which Southworth has used generative AI can be viewed here.&#38;nbsp;Contact: travisleroy [at] gmail [dot] comCV &#38;nbsp; &#38;nbsp; 


Instagram &#38;nbsp; &#38;nbsp; Twitter &#38;nbsp; &#38;nbsp; 
Farcaster


@2026 Travis LeRoy Southworth
</description>
		
	</item>
		
		
	<item>
		<title>writing</title>
				
		<link>https://travisleroysouthworth.com/writing</link>

		<pubDate>Sat, 14 Jan 2023 16:42:43 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/writing</guid>

		<description>Writing
&#60;img width="540" height="360" width_o="540" height_o="360" data-src="https://freight.cargo.site/t/original/i/f38bcdcab8e8a935aa41eb9809096b22c238afadf21b3478d512201be3f8cd2c/Scratching-the-Surface_Travis-LeRoy-Southworth_Artsy_Breezy-Art_Interview-400x600.jpg" data-mid="164960168" border="0" alt="Scratching the Surface: Interview on Artsy with Eleonora Brizi" data-caption="Scratching the Surface: Interview on Artsy with Eleonora Brizi" src="https://freight.cargo.site/w/540/i/f38bcdcab8e8a935aa41eb9809096b22c238afadf21b3478d512201be3f8cd2c/Scratching-the-Surface_Travis-LeRoy-Southworth_Artsy_Breezy-Art_Interview-400x600.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/eccad3b215c17def7f474b10ef38603d9bd46cafba043827280ecd94fc815e66/0170-Hesitant-Pill.jpg" data-mid="164705223" border="0" alt="Liminals: Remnants of Touch and Transitional Moments " data-caption="Liminals: Remnants of Touch and Transitional Moments " src="https://freight.cargo.site/w/1000/i/eccad3b215c17def7f474b10ef38603d9bd46cafba043827280ecd94fc815e66/0170-Hesitant-Pill.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/59e76beebae7ea90950158ea86544c5491392f8f28b40f19e7fe96139af4ac1e/Familiar-Faces_Its-less-dangerous-with-the-lights-out_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164960354" border="0" alt="Interview with Below Grand NYC" data-caption="Interview with Below Grand NYC" src="https://freight.cargo.site/w/1000/i/59e76beebae7ea90950158ea86544c5491392f8f28b40f19e7fe96139af4ac1e/Familiar-Faces_Its-less-dangerous-with-the-lights-out_Travis-LeRoy-Southworth_4x6.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/eb5e1e454749ab7874df88bfc1c1e287b149afd9ad1c75eeedb24f686d60efa5/No-Cookie-Cutter-1_Color-Balance_Travis-LeRoy-Southworth.jpg" data-mid="164816644" border="0" alt="The Future Starts Slow: Interview on SuperRare" data-caption="The Future Starts Slow: Interview on SuperRare" src="https://freight.cargo.site/w/1000/i/eb5e1e454749ab7874df88bfc1c1e287b149afd9ad1c75eeedb24f686d60efa5/No-Cookie-Cutter-1_Color-Balance_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="493" height="493" width_o="493" height_o="493" data-src="https://freight.cargo.site/t/original/i/aacd0339feec311acd7cb6b421f6d820b15f2412b15db90516ea82a3eabd5d52/In-The-Studio---Travis-LeRoy-Southworth.jpg" data-mid="164705228" border="0" alt="In The Studio: Interview with Fanny Lakoubay, MoCDA" data-caption="In The Studio: Interview with Fanny Lakoubay, MoCDA" src="https://freight.cargo.site/w/493/i/aacd0339feec311acd7cb6b421f6d820b15f2412b15db90516ea82a3eabd5d52/In-The-Studio---Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="600" height="400" width_o="600" height_o="400" data-src="https://freight.cargo.site/t/original/i/f8611180097adc1e1617fb597b5128ed765c44ed9b92b326edb86154028857b7/Travis-LeRoy-Southworth-Detouched_Art-and-Translation_Erasure-400.jpg" data-mid="164960175" border="0" alt="The Act of Erasure: Southworth's Detouched Series" data-caption="The Act of Erasure: Southworth's Detouched Series" src="https://freight.cargo.site/w/600/i/f8611180097adc1e1617fb597b5128ed765c44ed9b92b326edb86154028857b7/Travis-LeRoy-Southworth-Detouched_Art-and-Translation_Erasure-400.jpg" /&#62;

Panels, Podcasts, Press


Artist Presentations

2022&#38;nbsp; &#38;nbsp; In It For The Art, Podcast by Cooper Da Yung &#38;amp; Aaron Feguson
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Artist Royalties, Historic NFT Fest, Barcelona
2020&#38;nbsp; &#38;nbsp; Undercurrent, Brooklyn, NY2019&#38;nbsp; &#38;nbsp; Rise, New York, NY2018&#38;nbsp; &#38;nbsp; Pierro Gallery, South Orange, NJ2015&#38;nbsp; &#38;nbsp; Corcoran College of Arts and Design, Washington, DC2014&#38;nbsp; &#38;nbsp; Massachusetts College of Art and Design, Boston, MA&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Elizabeth Foundation for the Arts, New York, NY2013 &#38;nbsp;&#38;nbsp; Haus für elektronische Künste, Basel, Switzerland2012 &#38;nbsp;&#38;nbsp; Tisch School of the Arts, New York University, New York, NY2011 &#38;nbsp;&#38;nbsp; The Bronx Musem of the Arts, Bronx, NY&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Brandeis University, Boston, MA&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Hunter College, New York, NY2009 &#38;nbsp;&#38;nbsp; Fashion Institute of Technology, New York, NY&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Tisch School of the Arts, New York University, New York, NY&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Society for Photographic Education MA Conference, MSU, Montclair, NJ2008&#38;nbsp; &#38;nbsp; Middlesex Community College, Bedford, MA2007 &#38;nbsp;&#38;nbsp; The School of the Art Institute of Chicago, IL


Recent Press2021ArtMaze Magazine, Issue 21, Feb.Brizi, Eleonora. “Scratching the Surface: Interview with Travis LeRoy Southworth” artsy.net, Jan 22.2020Dovetail Magazine, Issue 2, Dec.“How Artists are Using AI to Scale and Augment Creative Processes” Playform, Dec 8.Friend of the Artist, Volume 11, Mar. 2019Lakoubay, Fanny. “In The Studio with Travis LeRoy Southworth” mocda.org, Dec.2018Yaniv, Etty. “Hecho en Tránsito / Made in Transit at Selena” artspiel.org, Apr 22.2015Guerber, Megan, “Travis LeRoy Southworth’s ‘Detouched’ Series.” artandtranslation.com, Dec 9.Lipson, Karin. “Islip Exhibition Explores How Science Influences Art.” NY Times, Oct 22.2014Tapper, Dan. “An Interview with Travis LeRoy Southworth” Plus Minus, Volume 2.DeTurk, Sabrina. “Distant Images, Local Positions” AfterImage, Volume 41 Number 5.2013Theis, Françoise. “A Solo Exhibition – Five Artists?” TagesWoche.com, May 9.“The Model and the Mouse.” Basler Zeitung, Apr 25.2011Fallah, Amir. “The Growing Metaphysical Void...” beautifydecay.com, Oct 18.Miranda, Carolina. “This Week: Must-See Arts in the City” culture.wnyc.org, May 12.2010Weinberg, Lauren. “About Face.” Time Out Chicago, Issue 279, July 1-7.Dluzen, Robin. “About Face.” Chicagoartmagazine.com, June 15.2009“The Space Between Things.” Perfect 8 Magazine, Issue 4, June: cover, 24.Weinberg, Lauren. “Gravity Buffs.” Time Out Chicago, Issue 212, Mar 19-25.Roulo, Robyn Farrell. “Realms of the Unreal.” Artslant.com, Mar 8.
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	<item>
		<title>exhibitions</title>
				
		<link>https://travisleroysouthworth.com/exhibitions</link>

		<pubDate>Sat, 14 Jan 2023 17:18:18 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/exhibitions</guid>

		<description>Recent Exhibitions

&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/b42d6436c12be63a369bd483ac7531fe6c62515ca397e5f20592e06c95b4c077/TRUST_Travis-LeRoy-Southworth_small-4x6.jpg" data-mid="164912918" border="0" alt="DYOR, Kunsthalle, Zurich, Switzerland, 2022" data-caption="DYOR, Kunsthalle, Zurich, Switzerland, 2022" src="https://freight.cargo.site/w/1000/i/b42d6436c12be63a369bd483ac7531fe6c62515ca397e5f20592e06c95b4c077/TRUST_Travis-LeRoy-Southworth_small-4x6.jpg" /&#62;
&#60;img width="1536" height="1024" width_o="1536" height_o="1024" data-src="https://freight.cargo.site/t/original/i/12ba81a33fbc1dfe61f834c67927c944c72d387d7c6070b0f28e7599e660a88c/frost-museum_common-ground-exhibition_do-you-want-to-quit_travis-leroy-southworth.jpg" data-mid="164913341" border="0" alt="Common Ground, Art Basel, Frost Museum, 2022" data-caption="Common Ground, Art Basel, Frost Museum, 2022" src="https://freight.cargo.site/w/1000/i/12ba81a33fbc1dfe61f834c67927c944c72d387d7c6070b0f28e7599e660a88c/frost-museum_common-ground-exhibition_do-you-want-to-quit_travis-leroy-southworth.jpg" /&#62;
&#60;img width="1440" height="960" width_o="1440" height_o="960" data-src="https://freight.cargo.site/t/original/i/5e17b0053652b2c35812d4402379d77469633d3b0d82966119947e8f49d1342e/Circulatory-Depth-Perception_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164914683" border="0" alt="Cognitive Awareness, Ex Cartiera, Rome, 2022" data-caption="Cognitive Awareness, Ex Cartiera, Rome, 2022" src="https://freight.cargo.site/w/1000/i/5e17b0053652b2c35812d4402379d77469633d3b0d82966119947e8f49d1342e/Circulatory-Depth-Perception_Travis-LeRoy-Southworth_4x6.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/590a482df43503639ef93a2680cad2037a23d6f8332ce2c1d09bfe4320d3e503/Human-Nature-Perfectly_Super-DutchessFRONT_Travis-LeRoy-Southworth-4x6.jpg" data-mid="164913580" border="0" alt="Human Nature Perfectly, Below Grand NYC, 2021" data-caption="Human Nature Perfectly, Below Grand NYC, 2021" src="https://freight.cargo.site/w/1000/i/590a482df43503639ef93a2680cad2037a23d6f8332ce2c1d09bfe4320d3e503/Human-Nature-Perfectly_Super-DutchessFRONT_Travis-LeRoy-Southworth-4x6.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/1dbaea4451d8245c18e05c6662764745f688d91079593de800475eef1bde5570/gazed_Travis-LeRoy-Southworth_Paradice-Palase_4x6.jpg" data-mid="164914449" border="0" alt="In The Wake of Slumber, Paradice Palase, 2021" data-caption="In The Wake of Slumber, Paradice Palase, 2021" src="https://freight.cargo.site/w/1000/i/1dbaea4451d8245c18e05c6662764745f688d91079593de800475eef1bde5570/gazed_Travis-LeRoy-Southworth_Paradice-Palase_4x6.jpg" /&#62;
&#60;img width="1422" height="948" width_o="1422" height_o="948" data-src="https://freight.cargo.site/t/original/i/d89130fdd749a479d3387d5705c647806090394e073ed18e8b81b854df6e9fa3/06_Install_Familiar-Faces_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164914203" border="0" alt="Material Remains, Young Space, 2021" data-caption="Material Remains, Young Space, 2021" src="https://freight.cargo.site/w/1000/i/d89130fdd749a479d3387d5705c647806090394e073ed18e8b81b854df6e9fa3/06_Install_Familiar-Faces_Travis-LeRoy-Southworth_4x6.jpg" /&#62;
&#60;img width="1756" height="1756" width_o="1756" height_o="1756" data-src="https://freight.cargo.site/t/original/i/104e78df1df7c22321fa8afacf0733a7939921d3f47d707b5e764574c6c90ae5/From-a-distance-most-things-look-beautiful-2_Travis-LeRoy-Southworth-install.jpg" data-mid="164707557" border="0" alt="I Am A Portrait, Undercurrent, 2020" data-caption="I Am A Portrait, Undercurrent, 2020" src="https://freight.cargo.site/w/1000/i/104e78df1df7c22321fa8afacf0733a7939921d3f47d707b5e764574c6c90ae5/From-a-distance-most-things-look-beautiful-2_Travis-LeRoy-Southworth-install.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1b6f007330fb390b3642b79d248ec6c6434c99f0414801624fb0e45f5506ff2b/Absent-Minded-Monotonous-Splendor_Travis-LeRoy-Southworth.jpg" data-mid="164801862" border="0" alt="Museum of Contemporary Arts Long Island, 2020" data-caption="Museum of Contemporary Arts Long Island, 2020" src="https://freight.cargo.site/w/1000/i/1b6f007330fb390b3642b79d248ec6c6434c99f0414801624fb0e45f5506ff2b/Absent-Minded-Monotonous-Splendor_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/6ccedc9f319d0a76adb4fd1c0eeec8647d73b9616d08323598958434b04e3918/blurry-mistake-1.jpg" data-mid="164707555" border="0" alt="Mirror Eye, Ortega y Gasset, 2020" data-caption="Mirror Eye, Ortega y Gasset, 2020" src="https://freight.cargo.site/w/550/i/6ccedc9f319d0a76adb4fd1c0eeec8647d73b9616d08323598958434b04e3918/blurry-mistake-1.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/11f7b15bef7566456613066d2c6fc281767698118dac21cb6e80021fb26a0ec3/Hot-Head_Travis-LeRoy-Southworth.jpg" data-mid="164798682" border="0" alt="Digital Bodies, Museum of Contemporary Digital Art, 2020" data-caption="Digital Bodies, Museum of Contemporary Digital Art, 2020" src="https://freight.cargo.site/w/1000/i/11f7b15bef7566456613066d2c6fc281767698118dac21cb6e80021fb26a0ec3/Hot-Head_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/0650b1eab831a64a1567db9200a20b5257bf7cdd7c3c57eb89257907b4a31287/Try-not-to-make-it-look-like-a-coke-party_Travis-LeRoy-Southworth.jpg" data-mid="164800264" border="0" alt="...go back to original, Satellite Art Show, 2019" data-caption="...go back to original, Satellite Art Show, 2019" src="https://freight.cargo.site/w/1000/i/0650b1eab831a64a1567db9200a20b5257bf7cdd7c3c57eb89257907b4a31287/Try-not-to-make-it-look-like-a-coke-party_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/57e9b41877ab6feabe45240882ae871f27c686c1efd97cd2786b72632d5c9ebf/Travis-LeRoy-Southworth_Figural-Moments_Made-in-Transit.jpg" data-mid="164802384" border="0" alt="Made in Transit, Macy Gallery, 2018" data-caption="Made in Transit, Macy Gallery, 2018" src="https://freight.cargo.site/w/1000/i/57e9b41877ab6feabe45240882ae871f27c686c1efd97cd2786b72632d5c9ebf/Travis-LeRoy-Southworth_Figural-Moments_Made-in-Transit.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/6a2576b6442c821c61b3b88a3fdf1abe2ff018b67136a85bfd925b74eebc7afe/Please-Cheat-the-Color_Travis-LeRoy-Southworth.jpg" data-mid="164799169" border="0" alt="Ethereal Summit, Knockdown Center, 2018" data-caption="Ethereal Summit, Knockdown Center, 2018" src="https://freight.cargo.site/w/1000/i/6a2576b6442c821c61b3b88a3fdf1abe2ff018b67136a85bfd925b74eebc7afe/Please-Cheat-the-Color_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e1f7a7232bbea604b678bb1ca653f1795ec5b172d8aa9b43efa6aa852d09d71f/Travis-LeRoy-Southworth_Detouched-ISLIP-IG-3.jpg" data-mid="164800867" border="0" alt="Compendium, Islip Art Museum, 2015" data-caption="Compendium, Islip Art Museum, 2015" src="https://freight.cargo.site/w/1000/i/e1f7a7232bbea604b678bb1ca653f1795ec5b172d8aa9b43efa6aa852d09d71f/Travis-LeRoy-Southworth_Detouched-ISLIP-IG-3.jpg" /&#62;
&#60;img width="675" height="472" width_o="675" height_o="472" data-src="https://freight.cargo.site/t/original/i/7b3772bbde0cd5a8eb59dd7c7fa6f12a0e7e3e47f47f5052d165040e87c58893/Travis-LeRoy-Southworth-Continuous-Work-Drawings-Double-Dip-installation-675px.jpg" data-mid="164961150" border="0" alt="Getting to Infinity, Walsh Gallery, 2015" data-caption="Getting to Infinity, Walsh Gallery, 2015" src="https://freight.cargo.site/w/675/i/7b3772bbde0cd5a8eb59dd7c7fa6f12a0e7e3e47f47f5052d165040e87c58893/Travis-LeRoy-Southworth-Continuous-Work-Drawings-Double-Dip-installation-675px.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/49d37fdbc361b18b66167feb4c556420fae38ca4292256e4dfc919a1e1cd4345/Exist_Travis-LeRoy-Southworth_Superposition_Trinity-Church.jpg" data-mid="164961799" border="0" alt="Superposition, Trinity Church, 2013" data-caption="Superposition, Trinity Church, 2013" src="https://freight.cargo.site/w/1000/i/49d37fdbc361b18b66167feb4c556420fae38ca4292256e4dfc919a1e1cd4345/Exist_Travis-LeRoy-Southworth_Superposition_Trinity-Church.jpg" /&#62;
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		<title>work</title>
				
		<link>https://travisleroysouthworth.com/work</link>

		<pubDate>Wed, 11 Jan 2023 21:13:20 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/work</guid>

		<description>Work
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" data-mid="227642434" border="0" alt="Artifacts, 2025" data-caption="Artifacts, 2025" src="https://freight.cargo.site/w/900/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1354" height="1920" width_o="1354" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2154c9a3d80e84f3ea46dfc08c274945a9cc98028fb7bd16e51a36625e3f8bf5/Substratum-Still_Travis-LeRoy-Southworth.jpg" data-mid="228934695" border="0" alt="Substratum, 2024" data-caption="Substratum, 2024" src="https://freight.cargo.site/w/1000/i/2154c9a3d80e84f3ea46dfc08c274945a9cc98028fb7bd16e51a36625e3f8bf5/Substratum-Still_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="4096" height="2458" width_o="4096" height_o="2458" data-src="https://freight.cargo.site/t/original/i/838b557ae7ed78cbdc54d5e31f7e415944dbd8d412ab0756fd649fbfcd9381d4/Give-in-to-the-screen_Still.jpg" data-mid="228934702" border="0" alt="Panoply, 2024" data-caption="Panoply, 2024" src="https://freight.cargo.site/w/1000/i/838b557ae7ed78cbdc54d5e31f7e415944dbd8d412ab0756fd649fbfcd9381d4/Give-in-to-the-screen_Still.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>monograph</title>
				
		<link>https://travisleroysouthworth.com/monograph</link>

		<pubDate>Mon, 07 Jul 2025 17:20:16 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/monograph</guid>

		<description>Monograph: Giving in to the Algorithm, 2026Giving in to the Algorithm is a forthcoming monograph by conceptual artist Travis LeRoy Southworth, tracing his two-decade exploration of digital portraiture, algorithmic aesthetics and contemporary image culture. Southworth’s featured series “New Beginnings, Old Endings, Secrets Secreting” captures the ghostly emergence of machine-generated faces, drawing from Southworth’s background in photo retouching, his artist residency involving CERN’s Large Hadron Collider, and early experiments with GANs and diffusion models. The book offers a personal and critical reflection on artmaking in an age shaped by algorithmic labor and highlights the importance of imperfection and ambiguity.


This preview represents an in-progress layout designed to help bring the monograph to completion—an invitation to future collaborators, funders, and supporters of digital art and its evolving histories.

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WIP Monograph mockup

Current outline of the book: 150-200 pages, 8.5 x 10 inches (21 x 25 cm), coated, soft cover.Managing Editor: Eleonora Brizi


“Dialogues” is the connective tissue of the book, derived from the Greek dialogos: dia meaning “through” and logos meaning “word” or “reason.” Dialogue originally referred to speech as a medium of exchange rather than assertion. In Western philosophy it was formalized by Plato as a structure for inquiry, a way of distributing thought among multiple voices. With the rise of computing, the term reemerged in technical language as “dialog,” designating interactive windows through which users and machines could exchange commands. This etymological arc, moving from conversation as epistemology to interface as procedure, mirrors the evolution of my own practice. Each artwork in Giving in to the Algorithm can be read as a form of dialogue between artist and image, signal and noise, author and algorithm. The book continues this lineage by staging a series of literal and metaphorical conversations across human and machine intelligences, ultimately unfolding as a network of dialogues.


1. Intro: Dialogue with CuratorAn in-depth conversation with a curator sets the tone for the book, offering insight into Southworth’s practice and evolving relationship with digital media. Through thoughtful questions and reflective answers, the dialogue explores identity, authorship, and what is an algorithm. It provides personal context and invites readers into the conceptual landscape behind the artworks.

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&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/9644e40dcfb128e8c5edebaedc78ee33d0b6f0d7ce366103ae5085d07e30d88f/southworth_worksample01-900_o.jpg" data-mid="236397205" border="0"  src="https://freight.cargo.site/w/900/i/9644e40dcfb128e8c5edebaedc78ee33d0b6f0d7ce366103ae5085d07e30d88f/southworth_worksample01-900_o.jpg" /&#62;
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&#60;img width="1200" height="956" width_o="1200" height_o="956" data-src="https://freight.cargo.site/t/original/i/56bd309eacd16bb4220fa5a598c81e5bd10d609dd6f18d61fc43da939508811f/6_z-02_Figural-Moment-1.40x2_Travis-LeRoy-Southworth.jpg" data-mid="236397201" border="0"  src="https://freight.cargo.site/w/1000/i/56bd309eacd16bb4220fa5a598c81e5bd10d609dd6f18d61fc43da939508811f/6_z-02_Figural-Moment-1.40x2_Travis-LeRoy-Southworth.jpg" /&#62;

Early photoshop works beginning in 2005 dealing with portraiture, erasure, imperfections.

Detouched, Absent Minded Monotonous Splendor, Where I End and You Begin, Figural Moments


2. Pixels and ParticlesThis section traces Southworth’s journey from professional photo retoucher to artist-in-residence in Switzerland traveling to CERN’s Large Hadron Collider. It examines how his early manipulation of digital images and exposure to particle physics reshaped his understanding of visual representation. The fusion of aesthetic and scientific inquiry becomes a foundation for his later AI-based work.

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&#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d218df1edc522c7485d09e8ec6b20b5de1d271f91bee55c29918a8de4fde59cb/T.M.O.O.P.-04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth.jpg" data-mid="235498171" border="0"  src="https://freight.cargo.site/w/750/i/d218df1edc522c7485d09e8ec6b20b5de1d271f91bee55c29918a8de4fde59cb/T.M.O.O.P.-04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="810" height="1080" width_o="810" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ae7420636554e5d2bc38af1325b9f21bbe9eda969df601e492a286c422767e73/theoretical-physics-large-hadron-collider-ckodz6dx2v1uhtj2-2.jpg" data-mid="236398803" border="0"  src="https://freight.cargo.site/w/810/i/ae7420636554e5d2bc38af1325b9f21bbe9eda969df601e492a286c422767e73/theoretical-physics-large-hadron-collider-ckodz6dx2v1uhtj2-2.jpg" /&#62;
&#60;img width="4753" height="3456" width_o="4753" height_o="3456" data-src="https://freight.cargo.site/t/original/i/bcb766d50eea69dd00a7678ad22e6590489eb9a59ea0825d9484f066e8659176/CMS_PHOTO_MG_0324.jpg" data-mid="236398800" border="0"  src="https://freight.cargo.site/w/1000/i/bcb766d50eea69dd00a7678ad22e6590489eb9a59ea0825d9484f066e8659176/CMS_PHOTO_MG_0324.jpg" /&#62;
Continuous Work Drawings, Take Me Out of the Picture, Visit to the Large Hadron Collider in 2013


3. Diaphanous PortraitsRooted in subtle color and gesture, these works embrace ambiguity and dissolve traditional notions of portraiture. Southworth draws from his airbrushing techniques and retouching background to explore softness, distortion, and impermanence. The section highlights how the blurry, in-between states of these faces evoke a poetic presence and emotional resonance. Explore early days of blockchain and NFTs.


&#60;img width="2350" height="3000" width_o="2350" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fa3816f4102700b4223608628dc31af5b6e08b0d9eeaa0d9ca61b51fd53191ef/Skin-Deep_Color-Balance_Travis-LeRoy-Southworth.jpg" data-mid="235498178" border="0"  src="https://freight.cargo.site/w/1000/i/fa3816f4102700b4223608628dc31af5b6e08b0d9eeaa0d9ca61b51fd53191ef/Skin-Deep_Color-Balance_Travis-LeRoy-Southworth.jpg" /&#62;
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&#60;img width="1756" height="1756" width_o="1756" height_o="1756" data-src="https://freight.cargo.site/t/original/i/104e78df1df7c22321fa8afacf0733a7939921d3f47d707b5e764574c6c90ae5/From-a-distance-most-things-look-beautiful-2_Travis-LeRoy-Southworth-install.jpg" data-mid="236398791" border="0"  src="https://freight.cargo.site/w/1000/i/104e78df1df7c22321fa8afacf0733a7939921d3f47d707b5e764574c6c90ae5/From-a-distance-most-things-look-beautiful-2_Travis-LeRoy-Southworth-install.jpg" /&#62;
Color Balance4. Endings and BeginningsThis forward-looking reflection explores AI’s accelerating influence on artmaking and the evolving role of the artist. Southworth discusses the potential of new tools like MATR LABS, which use robotics and algorithms to materialize digital images in oil. What is the artist’s role in an AI-saturated world? How has AI changed the idea of appropriation?


&#60;img width="960" height="1200" width_o="960" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c21df42eff6acb3973aedc3143159226e27f4733d20f9ab14d4c169aac951e3d/Careless-Caress_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" data-mid="235498205" border="0"  src="https://freight.cargo.site/w/960/i/c21df42eff6acb3973aedc3143159226e27f4733d20f9ab14d4c169aac951e3d/Careless-Caress_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" /&#62;
&#60;img width="943" height="1200" width_o="943" height_o="1200" data-src="https://freight.cargo.site/t/original/i/27eb881b7b509c05f8440ca8ea789b6dde67dadcd033d5793e71b4ec32975c0c/Just-Beyond-Recognition_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" data-mid="236398676" border="0"  src="https://freight.cargo.site/w/943/i/27eb881b7b509c05f8440ca8ea789b6dde67dadcd033d5793e71b4ec32975c0c/Just-Beyond-Recognition_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" /&#62;
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&#60;img width="5366" height="6829" width_o="5366" height_o="6829" data-src="https://freight.cargo.site/t/original/i/4e1fdd2ba25610769a28f5dd0af1f98820e08d7c150b381368aa73670426b532/The-Look-Before-Last-task_379_gan_turn_8500_iter_3_0.jpg" data-mid="236398679" border="0"  src="https://freight.cargo.site/w/1000/i/4e1fdd2ba25610769a28f5dd0af1f98820e08d7c150b381368aa73670426b532/The-Look-Before-Last-task_379_gan_turn_8500_iter_3_0.jpg" /&#62;
New Beginnings Old Endings Secrets Secreting, Matr Labs Residency,
5. In the Face of AISouthworth’s early experiments with GANs marked a turning point in his practice, blending hand-crafted digital portraits with machine learning. By training algorithms on his own artworks, he explored vulnerability, authorship, and the creative potential of imperfect, unresolved outputs. Showcase all early AI work.


&#60;img width="760" height="1024" width_o="760" height_o="1024" data-src="https://freight.cargo.site/t/original/i/efff57971e655b186094f42b870e0b27582a4a5b6a8b0173734930867383a943/Thresholds-2_Travis-LeRoy-Southworth.jpg" data-mid="236398690" border="0"  src="https://freight.cargo.site/w/760/i/efff57971e655b186094f42b870e0b27582a4a5b6a8b0173734930867383a943/Thresholds-2_Travis-LeRoy-Southworth.jpg" /&#62;
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Thresholds, Algorithmic Ennui,&#38;nbsp;Omnia Ludens


&#38;nbsp;

Bodies of work being considered for monograph
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" data-mid="235498206" border="0" alt="Artifacts, 2025" data-caption="Artifacts, 2025" src="https://freight.cargo.site/w/900/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1354" height="1920" width_o="1354" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2154c9a3d80e84f3ea46dfc08c274945a9cc98028fb7bd16e51a36625e3f8bf5/Substratum-Still_Travis-LeRoy-Southworth.jpg" data-mid="235498207" border="0" alt="Substratum, 2024" data-caption="Substratum, 2024" src="https://freight.cargo.site/w/1000/i/2154c9a3d80e84f3ea46dfc08c274945a9cc98028fb7bd16e51a36625e3f8bf5/Substratum-Still_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1792" height="1195" width_o="1792" height_o="1195" data-src="https://freight.cargo.site/t/original/i/833e5bf12fb3666a0d52907526075ff701f4da119d2b64e61748b578ab3ffcaf/Swallow-Every-Image.jpg" data-mid="235498204" border="0" alt="Omnia Ludens, 2023" data-caption="Omnia Ludens, 2023" src="https://freight.cargo.site/w/1000/i/833e5bf12fb3666a0d52907526075ff701f4da119d2b64e61748b578ab3ffcaf/Swallow-Every-Image.jpg" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/2ded266278ed6421bc5ba6365d211d2787cd2074f616e420a5bd300408f6648f/1-Be-A-Currency_The-Revenant_Travis-LeRoy-Southworth_512.gif" data-mid="235498198" border="0" alt="The Revenant, 2024" data-caption="The Revenant, 2024" src="https://freight.cargo.site/w/512/i/2ded266278ed6421bc5ba6365d211d2787cd2074f616e420a5bd300408f6648f/1-Be-A-Currency_The-Revenant_Travis-LeRoy-Southworth_512.gif" /&#62;
&#60;img width="1125" height="750" width_o="1125" height_o="750" data-src="https://freight.cargo.site/t/original/i/acb021f10bc1dca14e04bad38107a514b766e4c1beca10c1b562acc158827902/001_REVELATIONS_APOCALYPSE...NOW..._Travis-LeRoy-Southworth_4x6jpg.jpg" data-mid="235498195" border="0" alt="REVELATIONS, 2022" data-caption="REVELATIONS, 2022" src="https://freight.cargo.site/w/1000/i/acb021f10bc1dca14e04bad38107a514b766e4c1beca10c1b562acc158827902/001_REVELATIONS_APOCALYPSE...NOW..._Travis-LeRoy-Southworth_4x6jpg.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/d9b87b9b2bbac863795265689a51a544d47815526c5b3acc24338fbc4c451a41/I-Will-No-Longer-Art-or-AI.png" data-mid="235780242" border="0" alt="Algorithmic Ennui, 2022" data-caption="Algorithmic Ennui, 2022" src="https://freight.cargo.site/w/768/i/d9b87b9b2bbac863795265689a51a544d47815526c5b3acc24338fbc4c451a41/I-Will-No-Longer-Art-or-AI.png" /&#62;
&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/a137c8d584788f79ce8358d4d521ea61b723dd914a12c67cb8a3ef3d9c8ae879/0170-Hesitant-Pill.jpg" data-mid="235498201" border="0" alt="Liminals, 2022" data-caption="Liminals, 2022" src="https://freight.cargo.site/w/1000/i/a137c8d584788f79ce8358d4d521ea61b723dd914a12c67cb8a3ef3d9c8ae879/0170-Hesitant-Pill.jpg" /&#62;
&#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d218df1edc522c7485d09e8ec6b20b5de1d271f91bee55c29918a8de4fde59cb/T.M.O.O.P.-04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth.jpg" data-mid="235498171" border="0" alt="T.M.O.O.P. 2019 - 2056" data-caption="T.M.O.O.P. 2019 - 2056" src="https://freight.cargo.site/w/750/i/d218df1edc522c7485d09e8ec6b20b5de1d271f91bee55c29918a8de4fde59cb/T.M.O.O.P.-04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1020" height="1200" width_o="1020" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c156768e481ca0b26555c9064e9182f45ff5038798fe00f75b53ecfa7e15580d/Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" data-mid="235498175" border="0" alt="Thresholds, 2019-23" data-caption="Thresholds, 2019-23" src="https://freight.cargo.site/w/1000/i/c156768e481ca0b26555c9064e9182f45ff5038798fe00f75b53ecfa7e15580d/Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" /&#62;
&#60;img width="960" height="1200" width_o="960" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c21df42eff6acb3973aedc3143159226e27f4733d20f9ab14d4c169aac951e3d/Careless-Caress_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" data-mid="235498205" border="0" alt="New Beginnings, Old Endings, Secrets Secreting, 2019" data-caption="New Beginnings, Old Endings, Secrets Secreting, 2019" src="https://freight.cargo.site/w/960/i/c21df42eff6acb3973aedc3143159226e27f4733d20f9ab14d4c169aac951e3d/Careless-Caress_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" /&#62;
&#60;img width="719" height="900" width_o="719" height_o="900" data-src="https://freight.cargo.site/t/original/i/df82f5d0a9336f060d45bacff2882bb819e69b9cb257bff0d462a98a5bb8e7b1/Figural-Moment-2.07b_Travis-LeRoy-Southworth.jpg" data-mid="236397200" border="0" alt="Figural Moments, 2016" data-caption="Figural Moments, 2016" src="https://freight.cargo.site/w/719/i/df82f5d0a9336f060d45bacff2882bb819e69b9cb257bff0d462a98a5bb8e7b1/Figural-Moment-2.07b_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="2350" height="3000" width_o="2350" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fa3816f4102700b4223608628dc31af5b6e08b0d9eeaa0d9ca61b51fd53191ef/Skin-Deep_Color-Balance_Travis-LeRoy-Southworth.jpg" data-mid="235498178" border="0" alt="Color, Balance, 2015" data-caption="Color, Balance, 2015" src="https://freight.cargo.site/w/1000/i/fa3816f4102700b4223608628dc31af5b6e08b0d9eeaa0d9ca61b51fd53191ef/Skin-Deep_Color-Balance_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="432" height="508" width_o="432" height_o="508" data-src="https://freight.cargo.site/t/original/i/282a0e5ea57619686cb0bfab287e4c1283b22357496e45b43a831ef0bdfecba6/0001_01.23.2012_6.2minutes16-00_to_16-06.png" data-mid="236398947" border="0" alt="Continuous Work Drawings, 2012" data-caption="Continuous Work Drawings, 2012" src="https://freight.cargo.site/w/432/i/282a0e5ea57619686cb0bfab287e4c1283b22357496e45b43a831ef0bdfecba6/0001_01.23.2012_6.2minutes16-00_to_16-06.png" /&#62;
&#60;img width="980" height="1200" width_o="980" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5b3a9ac9d41272d57a8470894feecb11bff7f885f6867257d763afdaf2d3dff2/Southworth-ISLIP-Detouched-Detail.jpg" data-mid="236397190" border="0" alt="Detouched, 2005" data-caption="Detouched, 2005" src="https://freight.cargo.site/w/980/i/5b3a9ac9d41272d57a8470894feecb11bff7f885f6867257d763afdaf2d3dff2/Southworth-ISLIP-Detouched-Detail.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>nfts</title>
				
		<link>https://travisleroysouthworth.com/nfts</link>

		<pubDate>Wed, 14 Dec 2022 17:01:53 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/nfts</guid>

		<description>NFTs

SuperRare
Available works from my series Color, Balance

&#60;img width="1200" height="1636" width_o="1200" height_o="1636" data-src="https://freight.cargo.site/t/original/i/faa8ea1e3c97dff63549d6618d7c69fa1cc2c8a931c9aee35a12ea4ec18f1fac/From-a-distance-most-things-look-beautiful-3_Travis-LeRoy-Southworth_SMALL.jpg" data-mid="165014512" border="0" alt="From a distance, most things look beautiful #3, 2022" data-caption="From a distance, most things look beautiful #3, 2022" src="https://freight.cargo.site/w/1000/i/faa8ea1e3c97dff63549d6618d7c69fa1cc2c8a931c9aee35a12ea4ec18f1fac/From-a-distance-most-things-look-beautiful-3_Travis-LeRoy-Southworth_SMALL.jpg" /&#62;
&#60;img width="1200" height="1575" width_o="1200" height_o="1575" data-src="https://freight.cargo.site/t/original/i/e626d48088de2ea0ef796ba40294f69ee22eff56e43f00086cdfa3fba0517ef2/SMALL_Circulatory-Depth-Perception_Travis-LeRoy-Southworth_WEB_72dpi.jpg" data-mid="165014529" border="0" alt="Circulatory Depth Perception, 2022" data-caption="Circulatory Depth Perception, 2022" src="https://freight.cargo.site/w/1000/i/e626d48088de2ea0ef796ba40294f69ee22eff56e43f00086cdfa3fba0517ef2/SMALL_Circulatory-Depth-Perception_Travis-LeRoy-Southworth_WEB_72dpi.jpg" /&#62;
&#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/409690c1781c0261b708751e0a0cb141588cdca724ffc71fa37179b1cbd263b7/Skin-Make-Yummy_Travis-LeRoy-Southworth-small.jpg" data-mid="165015122" border="0" alt="Skin Make Yummy, 2020" data-caption="Skin Make Yummy, 2020" src="https://freight.cargo.site/w/750/i/409690c1781c0261b708751e0a0cb141588cdca724ffc71fa37179b1cbd263b7/Skin-Make-Yummy_Travis-LeRoy-Southworth-small.jpg" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/31b59ab69cbadbe8a81dde9890eb692b55d1bab3e4e6541be60b97943b7c5e50/Way-Too-Smooth----Travis-LeRoy-Southworth.jpg" data-mid="165015138" border="0" alt="Way Too Smooth, 2017" data-caption="Way Too Smooth, 2017" src="https://freight.cargo.site/w/900/i/31b59ab69cbadbe8a81dde9890eb692b55d1bab3e4e6541be60b97943b7c5e50/Way-Too-Smooth----Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/bb8f66cf427c7febd82b0ebdbe7ec715d286497c5b20b3fe4d57282699221cb3/Tastee-Nails----Travis-LeRoy-Southworth.jpg" data-mid="165015137" border="0" alt="Tastee Nails, 2017" data-caption="Tastee Nails, 2017" src="https://freight.cargo.site/w/900/i/bb8f66cf427c7febd82b0ebdbe7ec715d286497c5b20b3fe4d57282699221cb3/Tastee-Nails----Travis-LeRoy-Southworth.jpg" /&#62;

Series

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/e30f00bee3eeb74efc92b9b1e33c31d61f00a610929b102fbe872c060427350c/REVELATIONS_Travis-LeRoy-Southworth-Grid-2x4.JPG" data-mid="165015751" border="0" alt="REVELATIONS, 2022" data-caption="REVELATIONS, 2022" src="https://freight.cargo.site/w/1000/i/e30f00bee3eeb74efc92b9b1e33c31d61f00a610929b102fbe872c060427350c/REVELATIONS_Travis-LeRoy-Southworth-Grid-2x4.JPG" /&#62;
&#60;img width="1700" height="2200" width_o="1700" height_o="2200" data-src="https://freight.cargo.site/t/original/i/29013c68740e30f2343905836df767147a7c7246670d501a3ae0c4ad15c7ac3a/artifact.jpg" data-mid="161943313" border="0" alt="Electrified Visions of Perfections, 2021" data-caption="Electrified Visions of Perfections, 2021" src="https://freight.cargo.site/w/1000/i/29013c68740e30f2343905836df767147a7c7246670d501a3ae0c4ad15c7ac3a/artifact.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/8e6005f9b8022eb4a9717e73632568fdffd8cc9274c1c2fbe2cc33b9b6c04e00/Liminals_Grid-4_Travis-LeRoy-Southworth.jpg" data-mid="165017162" border="0" alt="Liminals, 2022" data-caption="Liminals, 2022" src="https://freight.cargo.site/w/1000/i/8e6005f9b8022eb4a9717e73632568fdffd8cc9274c1c2fbe2cc33b9b6c04e00/Liminals_Grid-4_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1020" height="1200" width_o="1020" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c156768e481ca0b26555c9064e9182f45ff5038798fe00f75b53ecfa7e15580d/Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" data-mid="161942843" border="0" alt="Thresholds, 2021" data-caption="Thresholds, 2021" src="https://freight.cargo.site/w/1000/i/c156768e481ca0b26555c9064e9182f45ff5038798fe00f75b53ecfa7e15580d/Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8f5d3ace3e5c28aa681f425eb2fc3fd35182aec5bae3db5d7f7c9d70f669b82b/All-3x3---Im-a-Square_Travis-LeRoy-Southworth.jpg" data-mid="165016473" border="0" alt="I'm a Square, 2021" data-caption="I'm a Square, 2021" src="https://freight.cargo.site/w/1000/i/8f5d3ace3e5c28aa681f425eb2fc3fd35182aec5bae3db5d7f7c9d70f669b82b/All-3x3---Im-a-Square_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="850" height="850" width_o="850" height_o="850" data-src="https://freight.cargo.site/t/original/i/3a75f845c5298a78facfefeeaa52c2b37c6952c2f407cd8a038fb7f52d157942/JUBILANT-PORN-ENCODED-GOODS-850px.jpg" data-mid="161943776" border="0" alt="JPEG, 2021" data-caption="JPEG, 2021" src="https://freight.cargo.site/w/850/i/3a75f845c5298a78facfefeeaa52c2b37c6952c2f407cd8a038fb7f52d157942/JUBILANT-PORN-ENCODED-GOODS-850px.jpg" /&#62;

Singular Works
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/cf8a0299a37ab8edef1a29041e6ce2b49f0bf1eeb76ed896bdc9f73cd19442d8/TRUST_Travis-LeRoy-Southworth_Square.jpg" data-mid="164509712" border="0" alt="(TRUST), 2022" data-caption="(TRUST), 2022" src="https://freight.cargo.site/w/1000/i/cf8a0299a37ab8edef1a29041e6ce2b49f0bf1eeb76ed896bdc9f73cd19442d8/TRUST_Travis-LeRoy-Southworth_Square.jpg" /&#62;
&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/bf58249e43d64b5d31c34688d86ff472c09ae0694c17ed4355fbe3d9117b7718/DALLE-2022-07-21-08.57.54---The-Physical-Impossibility-of-DALLE-creating-something-that-exists-in-the-Mind-of-Someone-Living---Travis-LeRoy-Southworth.png" data-mid="164510264" border="0" alt="The Physical Impossibility of DALL&#38;middot;E creating something that exists in the Mind of an Artist, 2022" data-caption="The Physical Impossibility of DALL·E creating something that exists in the Mind of an Artist, 2022" src="https://freight.cargo.site/w/1000/i/bf58249e43d64b5d31c34688d86ff472c09ae0694c17ed4355fbe3d9117b7718/DALLE-2022-07-21-08.57.54---The-Physical-Impossibility-of-DALLE-creating-something-that-exists-in-the-Mind-of-Someone-Living---Travis-LeRoy-Southworth.png" /&#62;
&#60;img width="432" height="432" width_o="432" height_o="432" data-src="https://freight.cargo.site/t/original/i/bd4bb98d4a9bb24379da6b131bb3f3aea35d41b915f5eda7ae2c99273662b3ad/There-are-no...Travis-LeRoy-Southworth_typed_nft.png" data-mid="165021571" border="0" alt="There are no words, 2022" data-caption="There are no words, 2022" src="https://freight.cargo.site/w/432/i/bd4bb98d4a9bb24379da6b131bb3f3aea35d41b915f5eda7ae2c99273662b3ad/There-are-no...Travis-LeRoy-Southworth_typed_nft.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>solo show: i am a portrait at undercurrent, brooklyn, nyc</title>
				
		<link>https://travisleroysouthworth.com/solo-show-i-am-a-portrait-at-undercurrent-brooklyn-nyc</link>

		<pubDate>Fri, 10 Apr 2020 16:05:01 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/solo-show-i-am-a-portrait-at-undercurrent-brooklyn-nyc</guid>

		<description>I Am A Portrait, Undercurrent, Brooklyn, NY, 2020
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/3d1b4244d5bc0d25c6922d733b8e498180fa85b5e556e98e0c733926dbd70444/12_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642377" border="0"  src="https://freight.cargo.site/w/1000/i/3d1b4244d5bc0d25c6922d733b8e498180fa85b5e556e98e0c733926dbd70444/12_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/6a9be9c986d0241be2fafa1ae988220a07e1ae4a758ae8d56786c8a81c3e903e/13_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642378" border="0"  src="https://freight.cargo.site/w/1000/i/6a9be9c986d0241be2fafa1ae988220a07e1ae4a758ae8d56786c8a81c3e903e/13_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/aefc408b18c16ed415ee88278f7735aa55a1486f3d8bc5dd4f27e0ef670875a1/14_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642379" border="0"  src="https://freight.cargo.site/w/1000/i/aefc408b18c16ed415ee88278f7735aa55a1486f3d8bc5dd4f27e0ef670875a1/14_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/0d66a4bda3c044ca5f30347d0a59eac98b76d84bd0048cbee017c389a7a58eee/15_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642380" border="0"  src="https://freight.cargo.site/w/1000/i/0d66a4bda3c044ca5f30347d0a59eac98b76d84bd0048cbee017c389a7a58eee/15_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;
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Solo show at Undercurrent, Brooklyn, NY
January 10th - February 8th 2020
Press Release:

Drawing heavily on portraiture, temporality, and computerized labor, Southworth’s work trivializes the beauty industry and challenges us to reflect on our own self-presentation. As an Image Correction Specialist – or, to the layperson, a photo retoucher – Southworth pulls content from his day job, salvaging digital detritus of what advertising companies label flaws. Reshaping this digital material in Photoshop, Southworth presents it in a new physical skin – imperceptible wallpaper, silk sculptures, and a collection of figurative paintings printed on canvas, paper, satin, or suede. Tiny pores, stray hairs, color adjustments, and blemishes become sustainable resources for Southworth’s paintings and sculptures. The bright and airy color palette of magentas, lavenders, and flesh tones, derived from the imagery, transcend a dreamlike atmosphere while clouding its origin of soft violence; a digital scalpel extracting and pushing pixels; imperfection is abstracted and beauty confounded. Floating in the space are Southworth’s silk sculptures. Suspended by wire, these objects are ghost-like, reminiscent of another lifeform, levitating between the two worlds of digital and physical, posing metaphysical questions of the state of being in a digital era. Hanging alongside the Photoshopped work are analog pieces created from the laborious act of mashing up beauty magazines. The amalgamation of imagery is illegible, creating a gritty, dirty gray, presented in the classic scale and format of portraiture. Ad, image, and origin are indecipherable, mirroring the confusion of self-perception within a culture inundated with digital manipulation and filters.  Pulling content from Southworth’s day job underscores the context labor plays as an artist today. Rather than juggle, Southworth disables the hurdle, enabling him to work as Artist and Image Correction Specialist simultaneously; a meta vocation in the complex world of freelance and capitalism. Within this workflow, creative freedom is unchained from time restraints and the artist’s dilemma burns: Does art imitate life or life imitate art?

Inconspicuously, the largest piece in the exhibition is the wallpaper installation, entitled Similar Seemingly Absurd Infinities. Southworth arduously removed dust particles from roughly 100 NASA space photos and overlapped the remains into a single image. Aptly and ironically, 70-80% of dust is made up of human skin, the largest organ in the human body. Subtly, Southworth presents us with an anti-portrait, humbly reminding us that we are all the same: ubiquitous, organic matter, dust, vulnerable inside and out, physically and digitally. In a culture inundated with self-centeredness, image, and manipulation, Southworth, literally and figuratively, saves the undesirable, forging its fragile nature into a looking glass and reminding us of our own human condition.


- Daina Mattis, Co-Director Undercurrent</description>
		
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		<title>artifacts</title>
				
		<link>https://travisleroysouthworth.com/artifacts</link>

		<pubDate>Tue, 04 Mar 2025 18:36:30 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/artifacts</guid>

		<description>

Artifacts, 2025
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Editioned works, 6000x8000px, JPG


Artifacts is aseries of abstract works by 
Travis LeRoy Southworth. “Artifacts” is composed of 
3:4 portrait sized fragments, merging human intention with 
machine-learning distortions in a symbolic interplay of form and error. Southworth chose the word ‘artifact’ due to its multi-layered meaning; from an object shaped by human craft to a distortion produced by technological interference. The work is meant to echo both the creative eye of the artist and the “glitches” that arise when machines interpret reality. By embracing the possibility of inaccurate observations or unwanted features, these compositions highlight the interplay between deliberate intent and the unpredictable outcomes of AI generative algorithms.


Can be viewed and collected as NFTs on OBJKTNon-Fungible Tokens on Tezos BlockchainJPGs and metadata are stored on IPFS
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