Travis LeRoy Southworth

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	<title>Travis LeRoy Southworth</title>
	<link>https://travisleroysouthworth.com</link>
	<description>Travis LeRoy Southworth</description>
	<pubDate>Tue, 07 Apr 2026 17:29:26 +0000</pubDate>
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		<title>home</title>
				
		<link>https://travisleroysouthworth.com/home</link>

		<pubDate>Mon, 16 Jan 2023 16:24:59 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

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	About
Travis LeRoy Southworth is a conceptual artist whose digital practice, active since the late 1990s, investigates the aesthetics of labor, perception, and the digital body in a world of manipulated images and online identities. 


 Southworth is a recipient of a Fellowship from the New York Foundation for the Arts and an artist residency involving the Large Hadron Collider at CERN. He was also one of the first artists to create work on SuperRare in 2018. Southworth began integrating machine learning in his practice in 2019.
	Writing&#60;img width="540" height="360" width_o="540" height_o="360" data-src="https://freight.cargo.site/t/original/i/e501da678e35fc47ae31bcc4732bd026984219b0d411d7c15432fb448c32082b/Scratching-the-Surface_Travis-LeRoy-Southworth_Artsy_Breezy-Art_Interview-400x600.jpg" data-mid="164897985" border="0"  src="https://freight.cargo.site/w/540/i/e501da678e35fc47ae31bcc4732bd026984219b0d411d7c15432fb448c32082b/Scratching-the-Surface_Travis-LeRoy-Southworth_Artsy_Breezy-Art_Interview-400x600.jpg" /&#62;
	Work&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/058b96c80947d90d3afcd9ac5be9f14ce2abd9ac5ee6aea0eb9f5498a5ace13c/i-am-a-portrait_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164900541" border="0"  src="https://freight.cargo.site/w/1000/i/058b96c80947d90d3afcd9ac5be9f14ce2abd9ac5ee6aea0eb9f5498a5ace13c/i-am-a-portrait_Travis-LeRoy-Southworth_4x6.jpg" /&#62;


Exhibitions
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/7956603fb070c24c91f531380360f933a3e3ea8a8efbb2e436fe54cc6a34ca99/TRUST_Travis-LeRoy-Southworth_small-4x6.jpg" data-mid="164898832" border="0" alt="DYOR, Kunsthalle, Zurich, 2022" data-caption="DYOR, Kunsthalle, Zurich, 2022" src="https://freight.cargo.site/w/1000/i/7956603fb070c24c91f531380360f933a3e3ea8a8efbb2e436fe54cc6a34ca99/TRUST_Travis-LeRoy-Southworth_small-4x6.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d3c5920a394c2c446ccfa9f77c079257791caa755457b98c50a106892d1f8e97/Human-Nature-Perfectly_Super-DutchessFRONT_Travis-LeRoy-Southworth-4x6.jpg" data-mid="164899344" border="0" alt="Human Nature Perfectly, Below Grand, 2021" data-caption="Human Nature Perfectly, Below Grand, 2021" src="https://freight.cargo.site/w/1000/i/d3c5920a394c2c446ccfa9f77c079257791caa755457b98c50a106892d1f8e97/Human-Nature-Perfectly_Super-DutchessFRONT_Travis-LeRoy-Southworth-4x6.jpg" /&#62;
&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/08fdc2ed00873428ea60f68503d9342c20868b68eeac44b875ab47a04cdef46a/I-Am-A-Portrait_Travis-LeRoy-Southworth-Undercurrent-Brooklyn_Solo-Show-2.jpg" data-mid="164894746" border="0" alt="I Am A Portrait, Undercurrent, 2020" data-caption="I Am A Portrait, Undercurrent, 2020" src="https://freight.cargo.site/w/1000/i/08fdc2ed00873428ea60f68503d9342c20868b68eeac44b875ab47a04cdef46a/I-Am-A-Portrait_Travis-LeRoy-Southworth-Undercurrent-Brooklyn_Solo-Show-2.jpg" /&#62;
Series
&#60;img width="1125" height="750" width_o="1125" height_o="750" data-src="https://freight.cargo.site/t/original/i/d843edbb34fcd83b1389944b900992060a545da1c0d787ac4a0908d306b2e458/001_REVELATIONS_APOCALYPSE...NOW..._Travis-LeRoy-Southworth_4x6jpg.jpg" data-mid="164900147" border="0" alt="REVELATIONS, 2022" data-caption="REVELATIONS, 2022" src="https://freight.cargo.site/w/1000/i/d843edbb34fcd83b1389944b900992060a545da1c0d787ac4a0908d306b2e458/001_REVELATIONS_APOCALYPSE...NOW..._Travis-LeRoy-Southworth_4x6jpg.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/fce38f39469e3b13a7312215a477b19e63b3ab774db828f265f924f92d571660/0170_Liminals_Hesitant-Pill_Travis-LeRoy-Southworth_detail-4x6.jpg" data-mid="164899889" border="0" alt="Liminals, 2022" data-caption="Liminals, 2022" src="https://freight.cargo.site/w/1000/i/fce38f39469e3b13a7312215a477b19e63b3ab774db828f265f924f92d571660/0170_Liminals_Hesitant-Pill_Travis-LeRoy-Southworth_detail-4x6.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/84b78438375ca9a58a78ac17d87232333613fbf66aaa9988876033d5e187517e/04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164900309" border="0" alt="T.M.O.O.P.  2019 - 2056" data-caption="T.M.O.O.P.  2019 - 2056" src="https://freight.cargo.site/w/1000/i/84b78438375ca9a58a78ac17d87232333613fbf66aaa9988876033d5e187517e/04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth_4x6.jpg" /&#62;
Available works as NFTs
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/dca53f22faa7ea79985ab17515108a111f6a7072e36b9fb14b1c2cedc8d861e9/skin-deep.jpg" data-mid="164894780" border="0" alt="Available works on SuperRare" data-caption="Available works on SuperRare" src="https://freight.cargo.site/w/550/i/dca53f22faa7ea79985ab17515108a111f6a7072e36b9fb14b1c2cedc8d861e9/skin-deep.jpg" /&#62;
&#60;img width="1020" height="1020" width_o="1020" height_o="1020" data-src="https://freight.cargo.site/t/original/i/b62162e5573bd3a66ed16ec955c9f7357e79442580385504a9712147a7d47941/Thresholds_Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" data-mid="164902171" border="0" alt="Thresholds" data-caption="Thresholds" src="https://freight.cargo.site/w/1000/i/b62162e5573bd3a66ed16ec955c9f7357e79442580385504a9712147a7d47941/Thresholds_Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" /&#62;
&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/082a1c3247724e05277ffd8b89feede79e7cad82f6e7545301ea15a8644be8d9/24-I-am-a-square_Travis-is-a-Punk_Travis-LeRoy-Southworth.png" data-mid="164901904" border="0" alt="I'm a square" data-caption="I'm a square" src="https://freight.cargo.site/w/1000/i/082a1c3247724e05277ffd8b89feede79e7cad82f6e7545301ea15a8644be8d9/24-I-am-a-square_Travis-is-a-Punk_Travis-LeRoy-Southworth.png" /&#62;
&#60;img width="6000" height="6000" width_o="6000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/880b5a4763b3cc69a31fbf0bcc0d81df24de0597300881509aa62e00ce5a6e96/the-physical-impossibility-of-DALL-E-creating-something-that-exists-in-the-mind-of-an-artist_Travis-LeRoy-Southworth.png" data-mid="164902087" border="0" alt="The Physical Impossibility of DALL-E creating something that exists in the Mind of an Artist" data-caption="The Physical Impossibility of DALL-E creating something that exists in the Mind of an Artist" src="https://freight.cargo.site/w/1000/i/880b5a4763b3cc69a31fbf0bcc0d81df24de0597300881509aa62e00ce5a6e96/the-physical-impossibility-of-DALL-E-creating-something-that-exists-in-the-mind-of-an-artist_Travis-LeRoy-Southworth.png" /&#62;
@2026&#38;nbsp;Travis LeRoy Southworth</description>
		
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		<title>ai works</title>
				
		<link>https://travisleroysouthworth.com/ai-works</link>

		<pubDate>Tue, 15 Jul 2025 10:26:45 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/ai-works</guid>

		<description>Works using AI, 2019 - Present
Travis LeRoy Southworth 
became interested in the possibility of using artificial intelligence in his work shortly after he participated in an artist residency in Switzerland, that involved a project with the Large Hadron Collider at CERN in 2013. It was here Southworth became inspired by the colliding of subatomic particles to find hidden ones. Later that same year he wrote a proposal about the possibility of ‘colliding’ different types of digital images to form new ones, predicting the development of GAN imagery. At the time, however, when Southworth tried to generate interest in the proposal, there was little understanding of how such an idea could be realized—or even where to begin. It wasn’t until several years later that&#38;nbsp;


Southworth focused more on neural networks in 2018 and directly integrating machine learning in his practice in 2019. He was also one of the first artists to create work on SuperRare in 2018 and helped beta test Playform 2019. He was also using Runway ML in 2020, Midjourney, ChatGPT and Dall-E in early 2022.
Below of are some projects Southworth has created with the use of AI tools.

Thresholds, 2019 - 2023
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&#60;img width="850" height="1000" width_o="850" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6017e1603af4995b665a376ef429ab7c89d363e6afb254cf84f33e673c33e3cf/An-Image-of-Someone-Once-Mentioned-To-Me_Thresholds_Travis-LeRoy-Southworth_small.jpg" data-mid="235822112" border="0"  src="https://freight.cargo.site/w/850/i/6017e1603af4995b665a376ef429ab7c89d363e6afb254cf84f33e673c33e3cf/An-Image-of-Someone-Once-Mentioned-To-Me_Thresholds_Travis-LeRoy-Southworth_small.jpg" /&#62;
&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/f2c25ef58b804f48b22ece0643f886d6eacf016f3d65b51752295e31ec13d06c/1.-Wholesale-Semblance---Southworth---web.jpg" data-mid="235822156" border="0"  src="https://freight.cargo.site/w/1000/i/f2c25ef58b804f48b22ece0643f886d6eacf016f3d65b51752295e31ec13d06c/1.-Wholesale-Semblance---Southworth---web.jpg" /&#62;
&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2f9c314e926af9a76d6e5e46c62bbb9f3ff449515ca6e6691db7e0889f3fb0e8/9.-Shared-But-Not-Held---Southworth---web.jpg" data-mid="235822158" border="0"  src="https://freight.cargo.site/w/1000/i/2f9c314e926af9a76d6e5e46c62bbb9f3ff449515ca6e6691db7e0889f3fb0e8/9.-Shared-But-Not-Held---Southworth---web.jpg" /&#62;
Thresholds is a series of three projects of digital artworks created through GANs (Generative Adversarial Networks) and later on with the addition of my own computerized brush strokes. I use the word 'threshold' as it can be a boundary or a starting point of an experience. I like its connection to the words 'thresh,'meaning "to separate seed from a plant using a machine" and 'thrash,' meaning "to beat soundly or go over again and again."&#38;nbsp;Link to project 

New Beginnings, Old Endings, Secrets Secreting, 2019-20


&#60;img width="5366" height="6829" width_o="5366" height_o="6829" data-src="https://freight.cargo.site/t/original/i/4e1fdd2ba25610769a28f5dd0af1f98820e08d7c150b381368aa73670426b532/The-Look-Before-Last-task_379_gan_turn_8500_iter_3_0.jpg" data-mid="235824111" border="0" alt="The Look Before Last" data-caption="The Look Before Last" src="https://freight.cargo.site/w/1000/i/4e1fdd2ba25610769a28f5dd0af1f98820e08d7c150b381368aa73670426b532/The-Look-Before-Last-task_379_gan_turn_8500_iter_3_0.jpg" /&#62;
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&#60;img width="943" height="1200" width_o="943" height_o="1200" data-src="https://freight.cargo.site/t/original/i/27eb881b7b509c05f8440ca8ea789b6dde67dadcd033d5793e71b4ec32975c0c/Just-Beyond-Recognition_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" data-mid="235824150" border="0" alt="Just Beyond Recognition" data-caption="Just Beyond Recognition" src="https://freight.cargo.site/w/943/i/27eb881b7b509c05f8440ca8ea789b6dde67dadcd033d5793e71b4ec32975c0c/Just-Beyond-Recognition_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" /&#62;
&#60;img width="943" height="1200" width_o="943" height_o="1200" data-src="https://freight.cargo.site/t/original/i/a6579ce840c3d27d33716591177cd9fc391f24d26cfa0c22cbe3290006cabf4a/Undo-Onto_2020_New-Beginnings-Old-Endings-Secrets-Secreting-1.jpg" data-mid="235824160" border="0" alt="Undo Onto" data-caption="Undo Onto" src="https://freight.cargo.site/w/943/i/a6579ce840c3d27d33716591177cd9fc391f24d26cfa0c22cbe3290006cabf4a/Undo-Onto_2020_New-Beginnings-Old-Endings-Secrets-Secreting-1.jpg" /&#62;
New Beginnings, Old Endings, Secrets Secreting (2019-2020) is a series of diaphanous portraits created in part with machine learning algorithms. Southworth’s artworks have an unrefined yet overly saturated quality to them. Closeups of smudged faces appear to disperse into featureless surroundings. Rooted in his previous work involving facial imperfections abstracted from beauty advertisements, this series embraces the artifacts of early AI-generated images. These flaws—raw and vulnerable—contrast sharply with the polished outputs of today, embodying a nascent authenticity that feels poignant and human. 
Link to project&#38;nbsp;
JPEG: Just Poetic Electronic Glitches, 2021

&#60;img width="850" height="850" width_o="850" height_o="850" data-src="https://freight.cargo.site/t/original/i/11ab98b5624838fd6d63c1a22999bf6112ac8246b100ad088a3da4c92bd9d63a/JUBILANT-PORN-ENCODED-GOODS-850pxJPEG_Travis-LeRoy-Southworth.jpg" data-mid="235826564" border="0"  src="https://freight.cargo.site/w/850/i/11ab98b5624838fd6d63c1a22999bf6112ac8246b100ad088a3da4c92bd9d63a/JUBILANT-PORN-ENCODED-GOODS-850pxJPEG_Travis-LeRoy-Southworth.jpg" /&#62;
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&#60;img width="850" height="850" width_o="850" height_o="850" data-src="https://freight.cargo.site/t/original/i/b220868cb1701190102e06f63fb98ced1b89d2d65a82a8a3d26adc9c1ea5cd02/JOYSTICK-PEOPLE-EXPLODING-GLOBALLY-850pxJPEG_Travis-LeRoy-Southworth.jpg" data-mid="235826563" border="0"  src="https://freight.cargo.site/w/850/i/b220868cb1701190102e06f63fb98ced1b89d2d65a82a8a3d26adc9c1ea5cd02/JOYSTICK-PEOPLE-EXPLODING-GLOBALLY-850pxJPEG_Travis-LeRoy-Southworth.jpg" /&#62;
JPEG: Just Poetic Electronic Glitches is a series of 24 images, where the familiar acronym 'JPEG' is reimagined into various creative phrases. Each unique wording serves as a prompt for an early text-to-image AI to generate pixelated visuals. Link to project

Algorithmic Ennui, 2022

&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/0b76f4f010e012920335c0362b6a7290e738cc37715c2e056356392e1e30ffef/1-1-AI-00000-00000-AI-Art_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="236136558" border="0" alt="11 AI 00000 00000 AI Art" data-caption="11 AI 00000 00000 AI Art" src="https://freight.cargo.site/w/768/i/0b76f4f010e012920335c0362b6a7290e738cc37715c2e056356392e1e30ffef/1-1-AI-00000-00000-AI-Art_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/c955b157cef79eee99a7cab0072fbc73691bb24156068b9449b410501c7a018d/I-Will-No-Longer-Art-or-AI_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="235827482" border="0" alt="I Will No Longer Art or AI!" data-caption="I Will No Longer Art or AI!" src="https://freight.cargo.site/w/768/i/c955b157cef79eee99a7cab0072fbc73691bb24156068b9449b410501c7a018d/I-Will-No-Longer-Art-or-AI_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/c2cde991aa2df8dcf7324b30af6d83c9313d50545ec58d369e0aacc890e808b2/Boing-AI-Art_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="235827486" border="0" alt="Boing AI Art" data-caption="Boing AI Art" src="https://freight.cargo.site/w/768/i/c2cde991aa2df8dcf7324b30af6d83c9313d50545ec58d369e0aacc890e808b2/Boing-AI-Art_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/40c31bcbcaf0c8dc29d4db05a1efbd20756162f14f44c848a0503903f3763f7f/I-Art-Longer_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="235827487" border="0" alt="I Art Longer" data-caption="I Art Longer" src="https://freight.cargo.site/w/768/i/40c31bcbcaf0c8dc29d4db05a1efbd20756162f14f44c848a0503903f3763f7f/I-Art-Longer_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/71c734bf117f10c0b63343d09462c4bbb3265384664b912d3fce701aef42bd3f/AI-Banger_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" data-mid="236131922" border="0" alt="AI Banger" data-caption="AI Banger" src="https://freight.cargo.site/w/768/i/71c734bf117f10c0b63343d09462c4bbb3265384664b912d3fce701aef42bd3f/AI-Banger_Algorithmic-Ennui_Travis-LeRoy-Southworth_2022.png" /&#62;
In dialogue with John Baldessari’s 1971 seminal conceptual piece “I Will Not Make Any More Boring Art,” Travis LeRoy Southworth’s Algorithmic Ennui (I Will No Longer Make Boring AI Art) shifts the performative task of repetitive writing from human to machine, challenging notions of authorship, intent, and the aesthetics of boredom versus beauty Southworth outsources his slighly altered phrase to an early text-to-image generative artificial intelligence program, prompting the algorithm to endlessly simulate handwriting within notebook pages. Yet, as the AI system repeatedly fails at literal replication—generating scrambled phrases such as “I Art Longer,” “AI Not Me” and “I Will No Longer Art Or AI”—it produces moments of accidental poetry and mesmerizing abstraction. Link to project
Terms of Service, 2022


&#60;img width="3300" height="2400" width_o="3300" height_o="2400" data-src="https://freight.cargo.site/t/original/i/41ed3cf2f69da3952e045ef1805402c7bc83fe3a67a36183a7ba96fa920c8190/Terms-of-Service_Install_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827658" border="0"  src="https://freight.cargo.site/w/1000/i/41ed3cf2f69da3952e045ef1805402c7bc83fe3a67a36183a7ba96fa920c8190/Terms-of-Service_Install_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="2432" height="2800" width_o="2432" height_o="2800" data-src="https://freight.cargo.site/t/original/i/69b52455290ae5a40b2752836029afa11e07bbe8dc99f278b4a77f43228f6b36/Terms-of-Service_2022_Travis-LeRoy-Southworth.jpg" data-mid="235827664" border="0"  src="https://freight.cargo.site/w/1000/i/69b52455290ae5a40b2752836029afa11e07bbe8dc99f278b4a77f43228f6b36/Terms-of-Service_2022_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1101" height="1317" width_o="1101" height_o="1317" data-src="https://freight.cargo.site/t/original/i/2f3f3b48476d3788cf1915f7d92155bf7fce8998d72d5ce5b2b19ab36f48df53/I-have-you-I-hate-you-I-love-you_Terms-of-Service_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827662" border="0"  src="https://freight.cargo.site/w/1000/i/2f3f3b48476d3788cf1915f7d92155bf7fce8998d72d5ce5b2b19ab36f48df53/I-have-you-I-hate-you-I-love-you_Terms-of-Service_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="706" height="911" width_o="706" height_o="911" data-src="https://freight.cargo.site/t/original/i/0cb29ef5b51d59baa6537f7dc89f5dc56651519fa8e286ddeb9048be3dd63193/so-sorry-for-your-loss_Terms-of-Service_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827663" border="0"  src="https://freight.cargo.site/w/706/i/0cb29ef5b51d59baa6537f7dc89f5dc56651519fa8e286ddeb9048be3dd63193/so-sorry-for-your-loss_Terms-of-Service_Travis-LeRoy-Southworth_2022.jpg" /&#62;

Terms of Service is a series of introspective text-based artworks surrounding existence, labor and value. The artist Travis LeRoy Southworth uses computer programs, not just as a tool but as an entity with which he attempts to outsource personal grief and contemplation through ‘artificially intelligent' software and machine drawn messages. Each piece exists a physically machine plotted drawing. Black and white plots are created on letter-sized paper, suggesting the possibility to be physically mailed, in hopes to initiate further communication. Link to project


REVELATIONS, 2022
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/321c52eb29f82a5ffac6a15cc83aed30dfd37224e6c77a4c745f0ea21070cb7f/001-APOCALYPSE...NOW..._REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827603" border="0"  src="https://freight.cargo.site/w/1000/i/321c52eb29f82a5ffac6a15cc83aed30dfd37224e6c77a4c745f0ea21070cb7f/001-APOCALYPSE...NOW..._REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/212b5954815c74b7df20758aa9c7c043a975825ff2bb99853ea777ce644ef4e2/002-CAPTURING_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827604" border="0"  src="https://freight.cargo.site/w/1000/i/212b5954815c74b7df20758aa9c7c043a975825ff2bb99853ea777ce644ef4e2/002-CAPTURING_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f570cf86207829db80e7e4be9cbacf29c4a85b9e27900d5c3ae0561f5c683eee/129-ECO-NO-ME_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827611" border="0"  src="https://freight.cargo.site/w/1000/i/f570cf86207829db80e7e4be9cbacf29c4a85b9e27900d5c3ae0561f5c683eee/129-ECO-NO-ME_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/1db820b300b4f78fbc42eb8166baea39e93125e7ef6f8dbf3f60d62f9b73a180/084-ART-IF-I-CIA-LIE_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827609" border="0"  src="https://freight.cargo.site/w/1000/i/1db820b300b4f78fbc42eb8166baea39e93125e7ef6f8dbf3f60d62f9b73a180/084-ART-IF-I-CIA-LIE_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/83a7413a05367b4c78c6f28ce5e3cfe7f98d25d3867622d76c95a02db549353a/003-TESTING-TESTING-IS-ANY-BODY-OUT_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" data-mid="235827605" border="0"  src="https://freight.cargo.site/w/1000/i/83a7413a05367b4c78c6f28ce5e3cfe7f98d25d3867622d76c95a02db549353a/003-TESTING-TESTING-IS-ANY-BODY-OUT_REVELATIONS_Travis-LeRoy-Southworth_2022.jpg" /&#62;
REVELATIONS is a series of 256 works by Travis LeRoy Southworth that explores moments of quiet absurdity to existential crisis linked to the growing marketplace of algorithms and artistic production. Southworth uses text and image to reveal shifting sentiments and further question how the tools we use attribute to digital identity and social relationships. Link to project

Origins, 2023
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/aeab6d104ef3fe11865045944237a5efc21e61351ba6a05eb9d19548c21c652e/1_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827988" border="0"  src="https://freight.cargo.site/w/768/i/aeab6d104ef3fe11865045944237a5efc21e61351ba6a05eb9d19548c21c652e/1_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/ed68e57d4537f5204e7954c623454a5dcd87aeb51dd7082cc35b3e95ba87c996/6_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827993" border="0"  src="https://freight.cargo.site/w/768/i/ed68e57d4537f5204e7954c623454a5dcd87aeb51dd7082cc35b3e95ba87c996/6_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/5ce4857bcd95ae7367fbf203fe36be7b6df829d352a7127e2a45c4e31bffdfeb/2_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827989" border="0"  src="https://freight.cargo.site/w/768/i/5ce4857bcd95ae7367fbf203fe36be7b6df829d352a7127e2a45c4e31bffdfeb/2_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8452e09f709fd7ddaff55631597a8fe3a076121a5a1b5803baec1176de54dc0a/3_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827990" border="0"  src="https://freight.cargo.site/w/768/i/8452e09f709fd7ddaff55631597a8fe3a076121a5a1b5803baec1176de54dc0a/3_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/f9e8bd3dcb5e114aa61e79f52af09b555433d39a84b1c72d11acd1a08b0f62af/4_Origins_Travis-LeRoy-Southworth_2023.jpg" data-mid="235827991" border="0"  src="https://freight.cargo.site/w/768/i/f9e8bd3dcb5e114aa61e79f52af09b555433d39a84b1c72d11acd1a08b0f62af/4_Origins_Travis-LeRoy-Southworth_2023.jpg" /&#62;

Origins is series of AI generated artworks by Travis LeRoy Southworth that bridge ancient human expressions and contemporary digital communication. Drawing inspiration from Argentina's Cueva de las Manos, where prehistoric handprints serve as age-old testaments of human existence, Southworth crafts a series of works delve into the primal and symbolic nature of caves, mirroring our evolving journey into the digital realm. Southworth employs a combination of portraiture and color field images as the foundation of each work, feeding these into a Generative Adversarial Network (GAN). From these ‘under-paintings’ the artist further employs an array of AI algorithms to shape each work. At first glimpse each cave appears still, but then slowly starts shift, seeming to breathe and have a life of its own. Link to project


The Revenant, 2024
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/07dc5d827b6dbe3f58a28f07a35cfb6038ab373b2f9ee62aa515ba2cf1ee2f30/27-Early-Obituary_The-Revenant_Travis-LeRoy-Southworth_2023.gif" data-mid="235828522" border="0"  src="https://freight.cargo.site/w/512/i/07dc5d827b6dbe3f58a28f07a35cfb6038ab373b2f9ee62aa515ba2cf1ee2f30/27-Early-Obituary_The-Revenant_Travis-LeRoy-Southworth_2023.gif" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/5350b30f8d2dc019145d5e5c2f0e343a6fd33681f8e3b260c9fb1d25a1b5841f/37-Opinions-Are-Still-Divided_The-Revenant_Travis-LeRoy-Southworth_2023.gif" data-mid="235828523" border="0"  src="https://freight.cargo.site/w/512/i/5350b30f8d2dc019145d5e5c2f0e343a6fd33681f8e3b260c9fb1d25a1b5841f/37-Opinions-Are-Still-Divided_The-Revenant_Travis-LeRoy-Southworth_2023.gif" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/2ff9aa83b1db76e111bbd46928874f56895ebb48ef20afef7ff68d2c737d3849/367-Not-Built-To-Last_The-Revenant_Travis-LeRoy-Southworth_2024.gif" data-mid="235828524" border="0"  src="https://freight.cargo.site/w/512/i/2ff9aa83b1db76e111bbd46928874f56895ebb48ef20afef7ff68d2c737d3849/367-Not-Built-To-Last_The-Revenant_Travis-LeRoy-Southworth_2024.gif" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/374045d928f29e40e773867acab44bbca4ab0b2d9b3bfb08c5d74fcca812027a/441-Infinite-Supply-Of-New-People_The-Revenant_Travis-LeRoy-Southworth_2023.gif" data-mid="235828525" border="0"  src="https://freight.cargo.site/w/512/i/374045d928f29e40e773867acab44bbca4ab0b2d9b3bfb08c5d74fcca812027a/441-Infinite-Supply-Of-New-People_The-Revenant_Travis-LeRoy-Southworth_2023.gif" /&#62;
The Revenant: Sovereign Portraits for a Faceless Future is a series of 476 animated works by Travis LeRoy Southworth. This collection delves into the themes of identity, resurgence, and the enduring nature of bitcoin and digital art amidst a backdrop of repeated dismissals and skepticism.&#38;nbsp;Drawing inspiration from his engagement with machine learning technologies since 2018, Southworth utilizes synthetic photography (A.I. text-to-image prompting) to craft the portraits that symbolize a future where identities are ambiguous and fluid. These portraits are set against a vague, cloud-like milieu, embodying both the universal and the anonymous. Shrouded in a thick, swirling mist, they resist easy recognition, mirroring the enigmatic character of digital identities and the fleeting attention given to cryptocurrencies. Link to project


Omnia Ludens, 2024
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/fb85cd1c6ed101bf35f12bcd62bee0c52f6773dbae84dbe03d8c7382cb769471/Beauty-in-the-Breakdown_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" data-mid="235830059" border="0"  src="https://freight.cargo.site/w/1000/i/fb85cd1c6ed101bf35f12bcd62bee0c52f6773dbae84dbe03d8c7382cb769471/Beauty-in-the-Breakdown_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" /&#62;
&#60;img width="1792" height="1195" width_o="1792" height_o="1195" data-src="https://freight.cargo.site/t/original/i/01802357b6c9719ed620508fa172ec448566aa6a0ca372e2ac8e6c3c6a5f815b/Swallow-Every-Image_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" data-mid="235830062" border="0"  src="https://freight.cargo.site/w/1000/i/01802357b6c9719ed620508fa172ec448566aa6a0ca372e2ac8e6c3c6a5f815b/Swallow-Every-Image_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" /&#62;
&#60;img width="1839" height="1839" width_o="1839" height_o="1839" data-src="https://freight.cargo.site/t/original/i/9fcfa0a6548d7f2efc9fdfffc29c9e7db806e91160de76778c8c067252d680ec/Point-Break_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" data-mid="235830061" border="0"  src="https://freight.cargo.site/w/1000/i/9fcfa0a6548d7f2efc9fdfffc29c9e7db806e91160de76778c8c067252d680ec/Point-Break_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" /&#62;
&#60;img width="1800" height="2400" width_o="1800" height_o="2400" data-src="https://freight.cargo.site/t/original/i/1a1f20602b4b46fb140277a99b1e8240b72998a54971dba910f3234f14f10564/Ghosting-the-Machine_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" data-mid="235830060" border="0"  src="https://freight.cargo.site/w/1000/i/1a1f20602b4b46fb140277a99b1e8240b72998a54971dba910f3234f14f10564/Ghosting-the-Machine_Omnia-Ludens_Travis-LeRoy-Southworth_2024.jpg" /&#62;

Omnia Ludens—a poetic translation from Latin for “Everything in Play”—is a reflection on authenticity and artifice in the age of image creation and artificial intelligence. In this project Southworth seeks out the essence of AI diffusion models, which are trained on vast image datasets. His process involves repurposing printer test images—those ubiquitous mosaics of generic photographs, colors and shapes designed to maintain color accuracy—into AI prompts to generate new works. This intersection of mechanical reproduction and neural network appropriation reflects a new paradigm where anything imaginable can be manifested. Link to project


Artifacts, 2025
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7f849905dfbc87a0927b8636b5d414281b50d56897528e36f2f2bfbc94b3a23c/Artifact_001_Travis-LeRoy-Southworth_web.jpg" data-mid="235830204" border="0"  src="https://freight.cargo.site/w/900/i/7f849905dfbc87a0927b8636b5d414281b50d56897528e36f2f2bfbc94b3a23c/Artifact_001_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/568085148a8bc648ee959a645c002d7c94e150e699221ae74f8a42d63a0a2939/Artifact_002_Travis-LeRoy-Southworth_web.jpg" data-mid="235830205" border="0"  src="https://freight.cargo.site/w/900/i/568085148a8bc648ee959a645c002d7c94e150e699221ae74f8a42d63a0a2939/Artifact_002_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/f6e89e8d43d3957765849bb43a49cd72081a2d58e0a4b357fe5e1d588e8d0c09/Artifact_003_Travis-LeRoy-Southworth_web.jpg" data-mid="235830206" border="0"  src="https://freight.cargo.site/w/1000/i/f6e89e8d43d3957765849bb43a49cd72081a2d58e0a4b357fe5e1d588e8d0c09/Artifact_003_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/adaa9426783ce6345241257901c60f68b8a105f1a526dceb48bc82fba120b345/Artifact_004_Travis-LeRoy-Southworth_web.jpg" data-mid="235830207" border="0"  src="https://freight.cargo.site/w/1000/i/adaa9426783ce6345241257901c60f68b8a105f1a526dceb48bc82fba120b345/Artifact_004_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2a1efdd3367baf7732525b1064fa37ab1cc7ca897de5f0be264b5632ccee806a/Artifact_006_Travis-LeRoy-Southworth_web.jpg" data-mid="235830303" border="0"  src="https://freight.cargo.site/w/1000/i/2a1efdd3367baf7732525b1064fa37ab1cc7ca897de5f0be264b5632ccee806a/Artifact_006_Travis-LeRoy-Southworth_web.jpg" /&#62;
Artifacts is aseries of abstract works by Travis LeRoy Southworth. “Artifacts” is composed of 3:4 portrait sized fragments, merging human intention with machine-learning distortions in a symbolic interplay of form and error. Southworth chose the word ‘artifact’ due to its multi-layered meaning; from an object shaped by human craft to a distortion produced by technological interference. The work is meant to echo both the creative eye of the artist and the “glitches” that arise when machines interpret reality. By embracing the possibility of inaccurate observations or unwanted features, these compositions highlight the interplay between deliberate intent and the unpredictable outcomes of AI generative algorithms. Link to project


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		<title>info</title>
				
		<link>https://travisleroysouthworth.com/info</link>

		<pubDate>Fri, 17 Jul 2020 11:54:32 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/info</guid>

		<description>Info
	&#60;img width="865" height="1054" width_o="865" height_o="1054" data-src="https://freight.cargo.site/t/original/i/956b56edd4972b50deaa32109087cb4ca4436590ae2bd8f1f23a1ce4ff0c2a6d/Travis---33_2358HH_C-2500px-BW-2.jpg" data-mid="157542898" border="0"  src="https://freight.cargo.site/w/865/i/956b56edd4972b50deaa32109087cb4ca4436590ae2bd8f1f23a1ce4ff0c2a6d/Travis---33_2358HH_C-2500px-BW-2.jpg" /&#62;
Photo by Heather Hazzan


	Travis LeRoy Southworth (b. 1979, Honolulu, Hawaii) is an American conceptual artist working in digital media since the late 1990s. His work extends through Post-Internet and touches on aspects of computerized labor and self-perception in the age of image manipulation and social media. In 2017, Southworth began researching blockchain technology and machine learning in 2018. He contributed to the beta-testing of the SuperRare as well as Playform, an early website allowing artists to use artificial intelligence imagining tools.


Southworth's solo exhibitions have been featured in prominent venues such as Below Grand NYC, Undercurrent, Freight + Volume, and Mixed Greens. Additionally, his work has been part of group exhibitions at the Zurich Kunsthalle, The Museum of Contemporary Digital Art, The Trinity Church Museum, The Drawing Center, The Chicago Cultural Center, and The Bronx Museum of the Arts. His work has been written about in the New York Times, Artsy, Basler Zeitung, and Art Slant.&#38;nbsp;Southworth holds a MFA from the School of the Art Institute of Chicago and a BFA from the University of Arizona.
Southworth’s series Detouched involving image manipulation and portraiture received a Fellowship in Photography from the New York Foundation for the Arts (NYFA) in 2010. He also participated in a residency in Switzerland, that involved a project with the Large Hadron Collider at CERN in 2013. It was here Southworth became inspired by the colliding of subatomic particles to find hidden ones. In early 2013 he wrote a paper about the possibility of ‘colliding’ different types of digital images to form new ones, predicting the development of AI imagery.&#38;nbsp;
Works in which Southworth has used generative AI can be viewed here.&#38;nbsp;Contact: travisleroy [at] gmail [dot] comCV &#38;nbsp; &#38;nbsp; 


Instagram &#38;nbsp; &#38;nbsp; Twitter &#38;nbsp; &#38;nbsp; 
Farcaster


@2026 Travis LeRoy Southworth
</description>
		
	</item>
		
		
	<item>
		<title>writing</title>
				
		<link>https://travisleroysouthworth.com/writing</link>

		<pubDate>Sat, 14 Jan 2023 16:42:43 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/writing</guid>

		<description>Writing
&#60;img width="540" height="360" width_o="540" height_o="360" data-src="https://freight.cargo.site/t/original/i/f38bcdcab8e8a935aa41eb9809096b22c238afadf21b3478d512201be3f8cd2c/Scratching-the-Surface_Travis-LeRoy-Southworth_Artsy_Breezy-Art_Interview-400x600.jpg" data-mid="164960168" border="0" alt="Scratching the Surface: Interview on Artsy with Eleonora Brizi" data-caption="Scratching the Surface: Interview on Artsy with Eleonora Brizi" src="https://freight.cargo.site/w/540/i/f38bcdcab8e8a935aa41eb9809096b22c238afadf21b3478d512201be3f8cd2c/Scratching-the-Surface_Travis-LeRoy-Southworth_Artsy_Breezy-Art_Interview-400x600.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/eccad3b215c17def7f474b10ef38603d9bd46cafba043827280ecd94fc815e66/0170-Hesitant-Pill.jpg" data-mid="164705223" border="0" alt="Liminals: Remnants of Touch and Transitional Moments " data-caption="Liminals: Remnants of Touch and Transitional Moments " src="https://freight.cargo.site/w/1000/i/eccad3b215c17def7f474b10ef38603d9bd46cafba043827280ecd94fc815e66/0170-Hesitant-Pill.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/59e76beebae7ea90950158ea86544c5491392f8f28b40f19e7fe96139af4ac1e/Familiar-Faces_Its-less-dangerous-with-the-lights-out_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164960354" border="0" alt="Interview with Below Grand NYC" data-caption="Interview with Below Grand NYC" src="https://freight.cargo.site/w/1000/i/59e76beebae7ea90950158ea86544c5491392f8f28b40f19e7fe96139af4ac1e/Familiar-Faces_Its-less-dangerous-with-the-lights-out_Travis-LeRoy-Southworth_4x6.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/eb5e1e454749ab7874df88bfc1c1e287b149afd9ad1c75eeedb24f686d60efa5/No-Cookie-Cutter-1_Color-Balance_Travis-LeRoy-Southworth.jpg" data-mid="164816644" border="0" alt="The Future Starts Slow: Interview on SuperRare" data-caption="The Future Starts Slow: Interview on SuperRare" src="https://freight.cargo.site/w/1000/i/eb5e1e454749ab7874df88bfc1c1e287b149afd9ad1c75eeedb24f686d60efa5/No-Cookie-Cutter-1_Color-Balance_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="493" height="493" width_o="493" height_o="493" data-src="https://freight.cargo.site/t/original/i/aacd0339feec311acd7cb6b421f6d820b15f2412b15db90516ea82a3eabd5d52/In-The-Studio---Travis-LeRoy-Southworth.jpg" data-mid="164705228" border="0" alt="In The Studio: Interview with Fanny Lakoubay, MoCDA" data-caption="In The Studio: Interview with Fanny Lakoubay, MoCDA" src="https://freight.cargo.site/w/493/i/aacd0339feec311acd7cb6b421f6d820b15f2412b15db90516ea82a3eabd5d52/In-The-Studio---Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="600" height="400" width_o="600" height_o="400" data-src="https://freight.cargo.site/t/original/i/f8611180097adc1e1617fb597b5128ed765c44ed9b92b326edb86154028857b7/Travis-LeRoy-Southworth-Detouched_Art-and-Translation_Erasure-400.jpg" data-mid="164960175" border="0" alt="The Act of Erasure: Southworth's Detouched Series" data-caption="The Act of Erasure: Southworth's Detouched Series" src="https://freight.cargo.site/w/600/i/f8611180097adc1e1617fb597b5128ed765c44ed9b92b326edb86154028857b7/Travis-LeRoy-Southworth-Detouched_Art-and-Translation_Erasure-400.jpg" /&#62;

Panels, Podcasts, Press


Artist Presentations

2022&#38;nbsp; &#38;nbsp; In It For The Art, Podcast by Cooper Da Yung &#38;amp; Aaron Feguson
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Artist Royalties, Historic NFT Fest, Barcelona
2020&#38;nbsp; &#38;nbsp; Undercurrent, Brooklyn, NY2019&#38;nbsp; &#38;nbsp; Rise, New York, NY2018&#38;nbsp; &#38;nbsp; Pierro Gallery, South Orange, NJ2015&#38;nbsp; &#38;nbsp; Corcoran College of Arts and Design, Washington, DC2014&#38;nbsp; &#38;nbsp; Massachusetts College of Art and Design, Boston, MA&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Elizabeth Foundation for the Arts, New York, NY2013 &#38;nbsp;&#38;nbsp; Haus für elektronische Künste, Basel, Switzerland2012 &#38;nbsp;&#38;nbsp; Tisch School of the Arts, New York University, New York, NY2011 &#38;nbsp;&#38;nbsp; The Bronx Musem of the Arts, Bronx, NY&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Brandeis University, Boston, MA&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Hunter College, New York, NY2009 &#38;nbsp;&#38;nbsp; Fashion Institute of Technology, New York, NY&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Tisch School of the Arts, New York University, New York, NY&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Society for Photographic Education MA Conference, MSU, Montclair, NJ2008&#38;nbsp; &#38;nbsp; Middlesex Community College, Bedford, MA2007 &#38;nbsp;&#38;nbsp; The School of the Art Institute of Chicago, IL


Recent Press2021ArtMaze Magazine, Issue 21, Feb.Brizi, Eleonora. “Scratching the Surface: Interview with Travis LeRoy Southworth” artsy.net, Jan 22.2020Dovetail Magazine, Issue 2, Dec.“How Artists are Using AI to Scale and Augment Creative Processes” Playform, Dec 8.Friend of the Artist, Volume 11, Mar. 2019Lakoubay, Fanny. “In The Studio with Travis LeRoy Southworth” mocda.org, Dec.2018Yaniv, Etty. “Hecho en Tránsito / Made in Transit at Selena” artspiel.org, Apr 22.2015Guerber, Megan, “Travis LeRoy Southworth’s ‘Detouched’ Series.” artandtranslation.com, Dec 9.Lipson, Karin. “Islip Exhibition Explores How Science Influences Art.” NY Times, Oct 22.2014Tapper, Dan. “An Interview with Travis LeRoy Southworth” Plus Minus, Volume 2.DeTurk, Sabrina. “Distant Images, Local Positions” AfterImage, Volume 41 Number 5.2013Theis, Françoise. “A Solo Exhibition – Five Artists?” TagesWoche.com, May 9.“The Model and the Mouse.” Basler Zeitung, Apr 25.2011Fallah, Amir. “The Growing Metaphysical Void...” beautifydecay.com, Oct 18.Miranda, Carolina. “This Week: Must-See Arts in the City” culture.wnyc.org, May 12.2010Weinberg, Lauren. “About Face.” Time Out Chicago, Issue 279, July 1-7.Dluzen, Robin. “About Face.” Chicagoartmagazine.com, June 15.2009“The Space Between Things.” Perfect 8 Magazine, Issue 4, June: cover, 24.Weinberg, Lauren. “Gravity Buffs.” Time Out Chicago, Issue 212, Mar 19-25.Roulo, Robyn Farrell. “Realms of the Unreal.” Artslant.com, Mar 8.
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	<item>
		<title>exhibitions</title>
				
		<link>https://travisleroysouthworth.com/exhibitions</link>

		<pubDate>Sat, 14 Jan 2023 17:18:18 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/exhibitions</guid>

		<description>Recent Exhibitions

&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/b42d6436c12be63a369bd483ac7531fe6c62515ca397e5f20592e06c95b4c077/TRUST_Travis-LeRoy-Southworth_small-4x6.jpg" data-mid="164912918" border="0" alt="DYOR, Kunsthalle, Zurich, Switzerland, 2022" data-caption="DYOR, Kunsthalle, Zurich, Switzerland, 2022" src="https://freight.cargo.site/w/1000/i/b42d6436c12be63a369bd483ac7531fe6c62515ca397e5f20592e06c95b4c077/TRUST_Travis-LeRoy-Southworth_small-4x6.jpg" /&#62;
&#60;img width="1536" height="1024" width_o="1536" height_o="1024" data-src="https://freight.cargo.site/t/original/i/12ba81a33fbc1dfe61f834c67927c944c72d387d7c6070b0f28e7599e660a88c/frost-museum_common-ground-exhibition_do-you-want-to-quit_travis-leroy-southworth.jpg" data-mid="164913341" border="0" alt="Common Ground, Art Basel, Frost Museum, 2022" data-caption="Common Ground, Art Basel, Frost Museum, 2022" src="https://freight.cargo.site/w/1000/i/12ba81a33fbc1dfe61f834c67927c944c72d387d7c6070b0f28e7599e660a88c/frost-museum_common-ground-exhibition_do-you-want-to-quit_travis-leroy-southworth.jpg" /&#62;
&#60;img width="1440" height="960" width_o="1440" height_o="960" data-src="https://freight.cargo.site/t/original/i/5e17b0053652b2c35812d4402379d77469633d3b0d82966119947e8f49d1342e/Circulatory-Depth-Perception_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164914683" border="0" alt="Cognitive Awareness, Ex Cartiera, Rome, 2022" data-caption="Cognitive Awareness, Ex Cartiera, Rome, 2022" src="https://freight.cargo.site/w/1000/i/5e17b0053652b2c35812d4402379d77469633d3b0d82966119947e8f49d1342e/Circulatory-Depth-Perception_Travis-LeRoy-Southworth_4x6.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/590a482df43503639ef93a2680cad2037a23d6f8332ce2c1d09bfe4320d3e503/Human-Nature-Perfectly_Super-DutchessFRONT_Travis-LeRoy-Southworth-4x6.jpg" data-mid="164913580" border="0" alt="Human Nature Perfectly, Below Grand NYC, 2021" data-caption="Human Nature Perfectly, Below Grand NYC, 2021" src="https://freight.cargo.site/w/1000/i/590a482df43503639ef93a2680cad2037a23d6f8332ce2c1d09bfe4320d3e503/Human-Nature-Perfectly_Super-DutchessFRONT_Travis-LeRoy-Southworth-4x6.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/1dbaea4451d8245c18e05c6662764745f688d91079593de800475eef1bde5570/gazed_Travis-LeRoy-Southworth_Paradice-Palase_4x6.jpg" data-mid="164914449" border="0" alt="In The Wake of Slumber, Paradice Palase, 2021" data-caption="In The Wake of Slumber, Paradice Palase, 2021" src="https://freight.cargo.site/w/1000/i/1dbaea4451d8245c18e05c6662764745f688d91079593de800475eef1bde5570/gazed_Travis-LeRoy-Southworth_Paradice-Palase_4x6.jpg" /&#62;
&#60;img width="1422" height="948" width_o="1422" height_o="948" data-src="https://freight.cargo.site/t/original/i/d89130fdd749a479d3387d5705c647806090394e073ed18e8b81b854df6e9fa3/06_Install_Familiar-Faces_Travis-LeRoy-Southworth_4x6.jpg" data-mid="164914203" border="0" alt="Material Remains, Young Space, 2021" data-caption="Material Remains, Young Space, 2021" src="https://freight.cargo.site/w/1000/i/d89130fdd749a479d3387d5705c647806090394e073ed18e8b81b854df6e9fa3/06_Install_Familiar-Faces_Travis-LeRoy-Southworth_4x6.jpg" /&#62;
&#60;img width="1756" height="1756" width_o="1756" height_o="1756" data-src="https://freight.cargo.site/t/original/i/104e78df1df7c22321fa8afacf0733a7939921d3f47d707b5e764574c6c90ae5/From-a-distance-most-things-look-beautiful-2_Travis-LeRoy-Southworth-install.jpg" data-mid="164707557" border="0" alt="I Am A Portrait, Undercurrent, 2020" data-caption="I Am A Portrait, Undercurrent, 2020" src="https://freight.cargo.site/w/1000/i/104e78df1df7c22321fa8afacf0733a7939921d3f47d707b5e764574c6c90ae5/From-a-distance-most-things-look-beautiful-2_Travis-LeRoy-Southworth-install.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1b6f007330fb390b3642b79d248ec6c6434c99f0414801624fb0e45f5506ff2b/Absent-Minded-Monotonous-Splendor_Travis-LeRoy-Southworth.jpg" data-mid="164801862" border="0" alt="Museum of Contemporary Arts Long Island, 2020" data-caption="Museum of Contemporary Arts Long Island, 2020" src="https://freight.cargo.site/w/1000/i/1b6f007330fb390b3642b79d248ec6c6434c99f0414801624fb0e45f5506ff2b/Absent-Minded-Monotonous-Splendor_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/6ccedc9f319d0a76adb4fd1c0eeec8647d73b9616d08323598958434b04e3918/blurry-mistake-1.jpg" data-mid="164707555" border="0" alt="Mirror Eye, Ortega y Gasset, 2020" data-caption="Mirror Eye, Ortega y Gasset, 2020" src="https://freight.cargo.site/w/550/i/6ccedc9f319d0a76adb4fd1c0eeec8647d73b9616d08323598958434b04e3918/blurry-mistake-1.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/11f7b15bef7566456613066d2c6fc281767698118dac21cb6e80021fb26a0ec3/Hot-Head_Travis-LeRoy-Southworth.jpg" data-mid="164798682" border="0" alt="Digital Bodies, Museum of Contemporary Digital Art, 2020" data-caption="Digital Bodies, Museum of Contemporary Digital Art, 2020" src="https://freight.cargo.site/w/1000/i/11f7b15bef7566456613066d2c6fc281767698118dac21cb6e80021fb26a0ec3/Hot-Head_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/0650b1eab831a64a1567db9200a20b5257bf7cdd7c3c57eb89257907b4a31287/Try-not-to-make-it-look-like-a-coke-party_Travis-LeRoy-Southworth.jpg" data-mid="164800264" border="0" alt="...go back to original, Satellite Art Show, 2019" data-caption="...go back to original, Satellite Art Show, 2019" src="https://freight.cargo.site/w/1000/i/0650b1eab831a64a1567db9200a20b5257bf7cdd7c3c57eb89257907b4a31287/Try-not-to-make-it-look-like-a-coke-party_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/57e9b41877ab6feabe45240882ae871f27c686c1efd97cd2786b72632d5c9ebf/Travis-LeRoy-Southworth_Figural-Moments_Made-in-Transit.jpg" data-mid="164802384" border="0" alt="Made in Transit, Macy Gallery, 2018" data-caption="Made in Transit, Macy Gallery, 2018" src="https://freight.cargo.site/w/1000/i/57e9b41877ab6feabe45240882ae871f27c686c1efd97cd2786b72632d5c9ebf/Travis-LeRoy-Southworth_Figural-Moments_Made-in-Transit.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/6a2576b6442c821c61b3b88a3fdf1abe2ff018b67136a85bfd925b74eebc7afe/Please-Cheat-the-Color_Travis-LeRoy-Southworth.jpg" data-mid="164799169" border="0" alt="Ethereal Summit, Knockdown Center, 2018" data-caption="Ethereal Summit, Knockdown Center, 2018" src="https://freight.cargo.site/w/1000/i/6a2576b6442c821c61b3b88a3fdf1abe2ff018b67136a85bfd925b74eebc7afe/Please-Cheat-the-Color_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e1f7a7232bbea604b678bb1ca653f1795ec5b172d8aa9b43efa6aa852d09d71f/Travis-LeRoy-Southworth_Detouched-ISLIP-IG-3.jpg" data-mid="164800867" border="0" alt="Compendium, Islip Art Museum, 2015" data-caption="Compendium, Islip Art Museum, 2015" src="https://freight.cargo.site/w/1000/i/e1f7a7232bbea604b678bb1ca653f1795ec5b172d8aa9b43efa6aa852d09d71f/Travis-LeRoy-Southworth_Detouched-ISLIP-IG-3.jpg" /&#62;
&#60;img width="675" height="472" width_o="675" height_o="472" data-src="https://freight.cargo.site/t/original/i/7b3772bbde0cd5a8eb59dd7c7fa6f12a0e7e3e47f47f5052d165040e87c58893/Travis-LeRoy-Southworth-Continuous-Work-Drawings-Double-Dip-installation-675px.jpg" data-mid="164961150" border="0" alt="Getting to Infinity, Walsh Gallery, 2015" data-caption="Getting to Infinity, Walsh Gallery, 2015" src="https://freight.cargo.site/w/675/i/7b3772bbde0cd5a8eb59dd7c7fa6f12a0e7e3e47f47f5052d165040e87c58893/Travis-LeRoy-Southworth-Continuous-Work-Drawings-Double-Dip-installation-675px.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/49d37fdbc361b18b66167feb4c556420fae38ca4292256e4dfc919a1e1cd4345/Exist_Travis-LeRoy-Southworth_Superposition_Trinity-Church.jpg" data-mid="164961799" border="0" alt="Superposition, Trinity Church, 2013" data-caption="Superposition, Trinity Church, 2013" src="https://freight.cargo.site/w/1000/i/49d37fdbc361b18b66167feb4c556420fae38ca4292256e4dfc919a1e1cd4345/Exist_Travis-LeRoy-Southworth_Superposition_Trinity-Church.jpg" /&#62;
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	<item>
		<title>work</title>
				
		<link>https://travisleroysouthworth.com/work</link>

		<pubDate>Wed, 11 Jan 2023 21:13:20 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/work</guid>

		<description>Work
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e257a800a633feb130b1a4f9d285080e9e578ade8616cf54857bc7a78d23bbc6/SE_7588_Abstract-ideas-are-dead_b9f4caec_Classical_4m12s_1x1.png" data-mid="246941309" border="0" alt="Soft Eulogies, 2025-26" data-caption="Soft Eulogies, 2025-26" src="https://freight.cargo.site/w/1000/i/e257a800a633feb130b1a4f9d285080e9e578ade8616cf54857bc7a78d23bbc6/SE_7588_Abstract-ideas-are-dead_b9f4caec_Classical_4m12s_1x1.png" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" data-mid="227642434" border="0" alt="Artifacts, 2025" data-caption="Artifacts, 2025" src="https://freight.cargo.site/w/900/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1354" height="1920" width_o="1354" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2154c9a3d80e84f3ea46dfc08c274945a9cc98028fb7bd16e51a36625e3f8bf5/Substratum-Still_Travis-LeRoy-Southworth.jpg" data-mid="228934695" border="0" alt="Substratum, 2024" data-caption="Substratum, 2024" src="https://freight.cargo.site/w/1000/i/2154c9a3d80e84f3ea46dfc08c274945a9cc98028fb7bd16e51a36625e3f8bf5/Substratum-Still_Travis-LeRoy-Southworth.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>monograph</title>
				
		<link>https://travisleroysouthworth.com/monograph</link>

		<pubDate>Mon, 07 Jul 2025 17:20:16 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/monograph</guid>

		<description>Monograph: Giving in to the Algorithm, 2026Giving in to the Algorithm&#38;nbsp;is a forthcoming monograph by conceptual artist Travis LeRoy Southworth, tracing two decades of work across digital portraiture, algorithmic aesthetics, and contemporary image culture. Shaped by his background in photo retouching, a residency connected to CERN’s Large Hadron Collider, and early experiments with machine learning, the book reflects on artmaking in an age of algorithmic labor and argues for the enduring importance of imperfection and ambiguity.


This preview represents an in-progress layout designed to help bring the monograph to completion—an invitation to future collaborators, funders, and supporters of digital art and its evolving histories.

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WIP Monograph mockup

Current outline of the book: 200+ pages, 8.5 x 10 inches (21 x 25 cm), coated, soft cover.Managing Editor: Eleonora Brizi

Structure
The book is organized around dialogue, tracing how images and their systems shape selfhood, value, and belonging. I use the term in both its philosophical and technical senses: as a form of inquiry shaped through multiple voices, and as an interface through which humans and machines exchange signals, prompts, and commands. The book unfolds as a network of conversations between artist and image, human and machine, signal and noise, authorship and automation.


1.0 Intro: Early DialoguesAn in-depth conversation with a curator sets the tone for the book, offering insight into Southworth’s practice and evolving relationship with digital media. Through thoughtful questions and reflective answers, the dialogue explores identity, authorship, and what is an algorithm. It provides personal context and invites readers into the conceptual landscape behind the artworks.

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Early photoshop works beginning in 2005 dealing with portraiture, erasure, imperfections.

Detouched, Absent Minded Monotonous Splendor, Where I End and You Begin, Figural Moments


2.0 Pixels and ParticlesThis section traces Southworth’s journey from professional photo retoucher to artist-in-residence in Switzerland traveling to CERN’s Large Hadron Collider. It examines how his early manipulation of digital images and exposure to particle physics reshaped his understanding of visual representation. The fusion of aesthetic and scientific inquiry becomes a foundation for his later AI-based work.

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Continuous Work Drawings, Take Me Out of the Picture, Visit to the Large Hadron Collider in 2013


3. Diaphanous PortraitsRooted in subtle color and gesture, these works embrace ambiguity and dissolve traditional notions of portraiture. Southworth draws from his airbrushing techniques and retouching background to explore softness, distortion, and impermanence. The section highlights how the blurry, in-between states of these faces evoke a poetic presence and emotional resonance. Also explore early days of blockchain.


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Color Balance, Familiar Faces4. Endings and BeginningsThis forward-looking reflection explores AI’s accelerating influence on artmaking and the evolving role of the artist. Southworth discusses the potential of new tools like MATR LABS, which use robotics and algorithms to materialize digital images in oil. What is the artist’s role in an AI-saturated world? How has AI changed the idea of appropriation?


&#60;img width="5366" height="6829" width_o="5366" height_o="6829" data-src="https://freight.cargo.site/t/original/i/4e1fdd2ba25610769a28f5dd0af1f98820e08d7c150b381368aa73670426b532/The-Look-Before-Last-task_379_gan_turn_8500_iter_3_0.jpg" data-mid="236398679" border="0"  src="https://freight.cargo.site/w/1000/i/4e1fdd2ba25610769a28f5dd0af1f98820e08d7c150b381368aa73670426b532/The-Look-Before-Last-task_379_gan_turn_8500_iter_3_0.jpg" /&#62;
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New Beginnings Old Endings Secrets Secreting, Matr Labs Residency,&#38;nbsp;Thresholds,
5. In the Face of Another AI
An exploration of Southworth’s early AI works, where portraits became training data for machine learning. The chapter considers authorship, imperfect outputs, and what persists beyond the artist in generative image systems.


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&#60;img width="802" height="1003" width_o="802" height_o="1003" data-src="https://freight.cargo.site/t/original/i/554809f9353c87cd0865f373a7e8f6862e81adb58372e2daae317c820b504c3d/Install_I-Will-No-Longer-Art-or-AI_Algorithmic-Ennui_Travis-LeRoy-Southworth.jpg" data-mid="247196570" border="0"  src="https://freight.cargo.site/w/802/i/554809f9353c87cd0865f373a7e8f6862e81adb58372e2daae317c820b504c3d/Install_I-Will-No-Longer-Art-or-AI_Algorithmic-Ennui_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" data-mid="235498206" border="0"  src="https://freight.cargo.site/w/900/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="2438" height="3048" width_o="2438" height_o="3048" data-src="https://freight.cargo.site/t/original/i/fb4dd733d3bdc3cc753cd0a4ab2c2a4d299ae5d01608554c172e0d1b0c301d3d/4-Install_Swallow-Every-Image_Omnia-Ludens_Travis-LeRoy-Southworth-2.jpg" data-mid="247196572" border="0"  src="https://freight.cargo.site/w/1000/i/fb4dd733d3bdc3cc753cd0a4ab2c2a4d299ae5d01608554c172e0d1b0c301d3d/4-Install_Swallow-Every-Image_Omnia-Ludens_Travis-LeRoy-Southworth-2.jpg" /&#62;
REVELATIONS, Liminals,&#38;nbsp;Algorithmic Ennui,&#38;nbsp;Omnia Ludens


&#38;nbsp;

Bodies of work being considered for monograph
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" data-mid="235498206" border="0" alt="Artifacts, 2025" data-caption="Artifacts, 2025" src="https://freight.cargo.site/w/900/i/51cef0d7e81f99a70b6b02a01c470b4b8152d2f0562e2976e22a1c5600d9f945/Artifact_001_Travis-LeRoy-Southworth_web.jpg" /&#62;
&#60;img width="1354" height="1920" width_o="1354" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2154c9a3d80e84f3ea46dfc08c274945a9cc98028fb7bd16e51a36625e3f8bf5/Substratum-Still_Travis-LeRoy-Southworth.jpg" data-mid="235498207" border="0" alt="Substratum, 2024" data-caption="Substratum, 2024" src="https://freight.cargo.site/w/1000/i/2154c9a3d80e84f3ea46dfc08c274945a9cc98028fb7bd16e51a36625e3f8bf5/Substratum-Still_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1792" height="1195" width_o="1792" height_o="1195" data-src="https://freight.cargo.site/t/original/i/833e5bf12fb3666a0d52907526075ff701f4da119d2b64e61748b578ab3ffcaf/Swallow-Every-Image.jpg" data-mid="235498204" border="0" alt="Omnia Ludens, 2023" data-caption="Omnia Ludens, 2023" src="https://freight.cargo.site/w/1000/i/833e5bf12fb3666a0d52907526075ff701f4da119d2b64e61748b578ab3ffcaf/Swallow-Every-Image.jpg" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/2ded266278ed6421bc5ba6365d211d2787cd2074f616e420a5bd300408f6648f/1-Be-A-Currency_The-Revenant_Travis-LeRoy-Southworth_512.gif" data-mid="235498198" border="0" alt="The Revenant, 2024" data-caption="The Revenant, 2024" src="https://freight.cargo.site/w/512/i/2ded266278ed6421bc5ba6365d211d2787cd2074f616e420a5bd300408f6648f/1-Be-A-Currency_The-Revenant_Travis-LeRoy-Southworth_512.gif" /&#62;
&#60;img width="1125" height="750" width_o="1125" height_o="750" data-src="https://freight.cargo.site/t/original/i/acb021f10bc1dca14e04bad38107a514b766e4c1beca10c1b562acc158827902/001_REVELATIONS_APOCALYPSE...NOW..._Travis-LeRoy-Southworth_4x6jpg.jpg" data-mid="235498195" border="0" alt="REVELATIONS, 2022" data-caption="REVELATIONS, 2022" src="https://freight.cargo.site/w/1000/i/acb021f10bc1dca14e04bad38107a514b766e4c1beca10c1b562acc158827902/001_REVELATIONS_APOCALYPSE...NOW..._Travis-LeRoy-Southworth_4x6jpg.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/d9b87b9b2bbac863795265689a51a544d47815526c5b3acc24338fbc4c451a41/I-Will-No-Longer-Art-or-AI.png" data-mid="235780242" border="0" alt="Algorithmic Ennui, 2022" data-caption="Algorithmic Ennui, 2022" src="https://freight.cargo.site/w/768/i/d9b87b9b2bbac863795265689a51a544d47815526c5b3acc24338fbc4c451a41/I-Will-No-Longer-Art-or-AI.png" /&#62;
&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/a137c8d584788f79ce8358d4d521ea61b723dd914a12c67cb8a3ef3d9c8ae879/0170-Hesitant-Pill.jpg" data-mid="235498201" border="0" alt="Liminals, 2022" data-caption="Liminals, 2022" src="https://freight.cargo.site/w/1000/i/a137c8d584788f79ce8358d4d521ea61b723dd914a12c67cb8a3ef3d9c8ae879/0170-Hesitant-Pill.jpg" /&#62;
&#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d218df1edc522c7485d09e8ec6b20b5de1d271f91bee55c29918a8de4fde59cb/T.M.O.O.P.-04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth.jpg" data-mid="235498171" border="0" alt="T.M.O.O.P. 2019 - 2056" data-caption="T.M.O.O.P. 2019 - 2056" src="https://freight.cargo.site/w/750/i/d218df1edc522c7485d09e8ec6b20b5de1d271f91bee55c29918a8de4fde59cb/T.M.O.O.P.-04_Taking-myself-out-of-the-picture_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1020" height="1200" width_o="1020" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c156768e481ca0b26555c9064e9182f45ff5038798fe00f75b53ecfa7e15580d/Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" data-mid="235498175" border="0" alt="Thresholds, 2019-23" data-caption="Thresholds, 2019-23" src="https://freight.cargo.site/w/1000/i/c156768e481ca0b26555c9064e9182f45ff5038798fe00f75b53ecfa7e15580d/Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" /&#62;
&#60;img width="960" height="1200" width_o="960" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c21df42eff6acb3973aedc3143159226e27f4733d20f9ab14d4c169aac951e3d/Careless-Caress_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" data-mid="235498205" border="0" alt="New Beginnings, Old Endings, Secrets Secreting, 2019" data-caption="New Beginnings, Old Endings, Secrets Secreting, 2019" src="https://freight.cargo.site/w/960/i/c21df42eff6acb3973aedc3143159226e27f4733d20f9ab14d4c169aac951e3d/Careless-Caress_2020_New-Beginnings-Old-Endings-Secrets-Secreting.jpg" /&#62;
&#60;img width="719" height="900" width_o="719" height_o="900" data-src="https://freight.cargo.site/t/original/i/df82f5d0a9336f060d45bacff2882bb819e69b9cb257bff0d462a98a5bb8e7b1/Figural-Moment-2.07b_Travis-LeRoy-Southworth.jpg" data-mid="236397200" border="0" alt="Figural Moments, 2016" data-caption="Figural Moments, 2016" src="https://freight.cargo.site/w/719/i/df82f5d0a9336f060d45bacff2882bb819e69b9cb257bff0d462a98a5bb8e7b1/Figural-Moment-2.07b_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="2350" height="3000" width_o="2350" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fa3816f4102700b4223608628dc31af5b6e08b0d9eeaa0d9ca61b51fd53191ef/Skin-Deep_Color-Balance_Travis-LeRoy-Southworth.jpg" data-mid="235498178" border="0" alt="Color, Balance, 2015" data-caption="Color, Balance, 2015" src="https://freight.cargo.site/w/1000/i/fa3816f4102700b4223608628dc31af5b6e08b0d9eeaa0d9ca61b51fd53191ef/Skin-Deep_Color-Balance_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="432" height="508" width_o="432" height_o="508" data-src="https://freight.cargo.site/t/original/i/282a0e5ea57619686cb0bfab287e4c1283b22357496e45b43a831ef0bdfecba6/0001_01.23.2012_6.2minutes16-00_to_16-06.png" data-mid="236398947" border="0" alt="Continuous Work Drawings, 2012" data-caption="Continuous Work Drawings, 2012" src="https://freight.cargo.site/w/432/i/282a0e5ea57619686cb0bfab287e4c1283b22357496e45b43a831ef0bdfecba6/0001_01.23.2012_6.2minutes16-00_to_16-06.png" /&#62;
&#60;img width="980" height="1200" width_o="980" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5b3a9ac9d41272d57a8470894feecb11bff7f885f6867257d763afdaf2d3dff2/Southworth-ISLIP-Detouched-Detail.jpg" data-mid="236397190" border="0" alt="Detouched, 2005" data-caption="Detouched, 2005" src="https://freight.cargo.site/w/980/i/5b3a9ac9d41272d57a8470894feecb11bff7f885f6867257d763afdaf2d3dff2/Southworth-ISLIP-Detouched-Detail.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>collect</title>
				
		<link>https://travisleroysouthworth.com/collect</link>

		<pubDate>Tue, 07 Apr 2026 17:29:26 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/collect</guid>

		<description>Select Digital works are available below


SuperRare
Available works from my series Color, Balance

&#60;img width="1200" height="1636" width_o="1200" height_o="1636" data-src="https://freight.cargo.site/t/original/i/faa8ea1e3c97dff63549d6618d7c69fa1cc2c8a931c9aee35a12ea4ec18f1fac/From-a-distance-most-things-look-beautiful-3_Travis-LeRoy-Southworth_SMALL.jpg" data-mid="246941669" border="0" alt="From a distance, most things look beautiful #3, 2022" data-caption="From a distance, most things look beautiful #3, 2022" src="https://freight.cargo.site/w/1000/i/faa8ea1e3c97dff63549d6618d7c69fa1cc2c8a931c9aee35a12ea4ec18f1fac/From-a-distance-most-things-look-beautiful-3_Travis-LeRoy-Southworth_SMALL.jpg" /&#62;
&#60;img width="1200" height="1575" width_o="1200" height_o="1575" data-src="https://freight.cargo.site/t/original/i/e626d48088de2ea0ef796ba40294f69ee22eff56e43f00086cdfa3fba0517ef2/SMALL_Circulatory-Depth-Perception_Travis-LeRoy-Southworth_WEB_72dpi.jpg" data-mid="246941670" border="0" alt="Circulatory Depth Perception, 2022" data-caption="Circulatory Depth Perception, 2022" src="https://freight.cargo.site/w/1000/i/e626d48088de2ea0ef796ba40294f69ee22eff56e43f00086cdfa3fba0517ef2/SMALL_Circulatory-Depth-Perception_Travis-LeRoy-Southworth_WEB_72dpi.jpg" /&#62;
&#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/409690c1781c0261b708751e0a0cb141588cdca724ffc71fa37179b1cbd263b7/Skin-Make-Yummy_Travis-LeRoy-Southworth-small.jpg" data-mid="246941672" border="0" alt="Skin Make Yummy, 2020" data-caption="Skin Make Yummy, 2020" src="https://freight.cargo.site/w/750/i/409690c1781c0261b708751e0a0cb141588cdca724ffc71fa37179b1cbd263b7/Skin-Make-Yummy_Travis-LeRoy-Southworth-small.jpg" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/31b59ab69cbadbe8a81dde9890eb692b55d1bab3e4e6541be60b97943b7c5e50/Way-Too-Smooth----Travis-LeRoy-Southworth.jpg" data-mid="246941674" border="0" alt="Way Too Smooth, 2017" data-caption="Way Too Smooth, 2017" src="https://freight.cargo.site/w/900/i/31b59ab69cbadbe8a81dde9890eb692b55d1bab3e4e6541be60b97943b7c5e50/Way-Too-Smooth----Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/bb8f66cf427c7febd82b0ebdbe7ec715d286497c5b20b3fe4d57282699221cb3/Tastee-Nails----Travis-LeRoy-Southworth.jpg" data-mid="246941673" border="0" alt="Tastee Nails, 2017" data-caption="Tastee Nails, 2017" src="https://freight.cargo.site/w/900/i/bb8f66cf427c7febd82b0ebdbe7ec715d286497c5b20b3fe4d57282699221cb3/Tastee-Nails----Travis-LeRoy-Southworth.jpg" /&#62;

Series

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/e30f00bee3eeb74efc92b9b1e33c31d61f00a610929b102fbe872c060427350c/REVELATIONS_Travis-LeRoy-Southworth-Grid-2x4.JPG" data-mid="246941675" border="0" alt="REVELATIONS, 2022" data-caption="REVELATIONS, 2022" src="https://freight.cargo.site/w/1000/i/e30f00bee3eeb74efc92b9b1e33c31d61f00a610929b102fbe872c060427350c/REVELATIONS_Travis-LeRoy-Southworth-Grid-2x4.JPG" /&#62;
&#60;img width="1700" height="2200" width_o="1700" height_o="2200" data-src="https://freight.cargo.site/t/original/i/29013c68740e30f2343905836df767147a7c7246670d501a3ae0c4ad15c7ac3a/artifact.jpg" data-mid="246941662" border="0" alt="Electrified Visions of Perfections, 2021" data-caption="Electrified Visions of Perfections, 2021" src="https://freight.cargo.site/w/1000/i/29013c68740e30f2343905836df767147a7c7246670d501a3ae0c4ad15c7ac3a/artifact.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/8e6005f9b8022eb4a9717e73632568fdffd8cc9274c1c2fbe2cc33b9b6c04e00/Liminals_Grid-4_Travis-LeRoy-Southworth.jpg" data-mid="246941677" border="0" alt="Liminals, 2022" data-caption="Liminals, 2022" src="https://freight.cargo.site/w/1000/i/8e6005f9b8022eb4a9717e73632568fdffd8cc9274c1c2fbe2cc33b9b6c04e00/Liminals_Grid-4_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1020" height="1200" width_o="1020" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c156768e481ca0b26555c9064e9182f45ff5038798fe00f75b53ecfa7e15580d/Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" data-mid="246941659" border="0" alt="Thresholds, 2021" data-caption="Thresholds, 2021" src="https://freight.cargo.site/w/1000/i/c156768e481ca0b26555c9064e9182f45ff5038798fe00f75b53ecfa7e15580d/Ocular-Ego_Travis-LeRoy-Southworth_small.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8f5d3ace3e5c28aa681f425eb2fc3fd35182aec5bae3db5d7f7c9d70f669b82b/All-3x3---Im-a-Square_Travis-LeRoy-Southworth.jpg" data-mid="246941676" border="0" alt="I'm a Square, 2021" data-caption="I'm a Square, 2021" src="https://freight.cargo.site/w/1000/i/8f5d3ace3e5c28aa681f425eb2fc3fd35182aec5bae3db5d7f7c9d70f669b82b/All-3x3---Im-a-Square_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="850" height="850" width_o="850" height_o="850" data-src="https://freight.cargo.site/t/original/i/3a75f845c5298a78facfefeeaa52c2b37c6952c2f407cd8a038fb7f52d157942/JUBILANT-PORN-ENCODED-GOODS-850px.jpg" data-mid="246941664" border="0" alt="JPEG, 2021" data-caption="JPEG, 2021" src="https://freight.cargo.site/w/850/i/3a75f845c5298a78facfefeeaa52c2b37c6952c2f407cd8a038fb7f52d157942/JUBILANT-PORN-ENCODED-GOODS-850px.jpg" /&#62;

Singular Works
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/cf8a0299a37ab8edef1a29041e6ce2b49f0bf1eeb76ed896bdc9f73cd19442d8/TRUST_Travis-LeRoy-Southworth_Square.jpg" data-mid="246941666" border="0" alt="(TRUST), 2022" data-caption="(TRUST), 2022" src="https://freight.cargo.site/w/1000/i/cf8a0299a37ab8edef1a29041e6ce2b49f0bf1eeb76ed896bdc9f73cd19442d8/TRUST_Travis-LeRoy-Southworth_Square.jpg" /&#62;
&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/bf58249e43d64b5d31c34688d86ff472c09ae0694c17ed4355fbe3d9117b7718/DALLE-2022-07-21-08.57.54---The-Physical-Impossibility-of-DALLE-creating-something-that-exists-in-the-Mind-of-Someone-Living---Travis-LeRoy-Southworth.png" data-mid="246941668" border="0" alt="The Physical Impossibility of DALL&#38;middot;E creating something that exists in the Mind of an Artist, 2022" data-caption="The Physical Impossibility of DALL·E creating something that exists in the Mind of an Artist, 2022" src="https://freight.cargo.site/w/1000/i/bf58249e43d64b5d31c34688d86ff472c09ae0694c17ed4355fbe3d9117b7718/DALLE-2022-07-21-08.57.54---The-Physical-Impossibility-of-DALLE-creating-something-that-exists-in-the-Mind-of-Someone-Living---Travis-LeRoy-Southworth.png" /&#62;
&#60;img width="432" height="432" width_o="432" height_o="432" data-src="https://freight.cargo.site/t/original/i/bd4bb98d4a9bb24379da6b131bb3f3aea35d41b915f5eda7ae2c99273662b3ad/There-are-no...Travis-LeRoy-Southworth_typed_nft.png" data-mid="246941678" border="0" alt="There are no words, 2022" data-caption="There are no words, 2022" src="https://freight.cargo.site/w/432/i/bd4bb98d4a9bb24379da6b131bb3f3aea35d41b915f5eda7ae2c99273662b3ad/There-are-no...Travis-LeRoy-Southworth_typed_nft.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>solo show: i am a portrait at undercurrent, brooklyn, nyc</title>
				
		<link>https://travisleroysouthworth.com/solo-show-i-am-a-portrait-at-undercurrent-brooklyn-nyc</link>

		<pubDate>Fri, 10 Apr 2020 16:05:01 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/solo-show-i-am-a-portrait-at-undercurrent-brooklyn-nyc</guid>

		<description>I Am A Portrait, Undercurrent, Brooklyn, NY, 2020
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/3d1b4244d5bc0d25c6922d733b8e498180fa85b5e556e98e0c733926dbd70444/12_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642377" border="0"  src="https://freight.cargo.site/w/1000/i/3d1b4244d5bc0d25c6922d733b8e498180fa85b5e556e98e0c733926dbd70444/12_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/6a9be9c986d0241be2fafa1ae988220a07e1ae4a758ae8d56786c8a81c3e903e/13_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642378" border="0"  src="https://freight.cargo.site/w/1000/i/6a9be9c986d0241be2fafa1ae988220a07e1ae4a758ae8d56786c8a81c3e903e/13_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;
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&#60;img width="610" height="800" width_o="610" height_o="800" data-src="https://freight.cargo.site/t/original/i/1efda8bc2af02c9488fe00d39688c625c9501a76cf9860a3f02d655b08a832c3/3_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642367" border="0"  src="https://freight.cargo.site/w/610/i/1efda8bc2af02c9488fe00d39688c625c9501a76cf9860a3f02d655b08a832c3/3_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;
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&#60;img width="551" height="800" width_o="551" height_o="800" data-src="https://freight.cargo.site/t/original/i/cb55cd3d181a53943745ae9b003dfffc5e66f6a8be8cacec9579c3a74195bcc5/18_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642383" border="0"  src="https://freight.cargo.site/w/551/i/cb55cd3d181a53943745ae9b003dfffc5e66f6a8be8cacec9579c3a74195bcc5/18_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/c8afc66d980dda5a66ea8f648721bbe86c7d2e269b799891b038dda457d65a4f/10_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642374" border="0"  src="https://freight.cargo.site/w/1000/i/c8afc66d980dda5a66ea8f648721bbe86c7d2e269b799891b038dda457d65a4f/10_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;
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&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/aee1f1ddb7c3ba158e709faa5ed94196d8ff5775898392ae00c5bda02cd1b91c/11a_IAmAPortrait_Travis-LeRoy-Southworth.jpg" data-mid="77642376" border="0"  src="https://freight.cargo.site/w/1000/i/aee1f1ddb7c3ba158e709faa5ed94196d8ff5775898392ae00c5bda02cd1b91c/11a_IAmAPortrait_Travis-LeRoy-Southworth.jpg" /&#62;


Solo show at Undercurrent, Brooklyn, NY
January 10th - February 8th 2020
Press Release:

Drawing heavily on portraiture, temporality, and computerized labor, Southworth’s work trivializes the beauty industry and challenges us to reflect on our own self-presentation. As an Image Correction Specialist – or, to the layperson, a photo retoucher – Southworth pulls content from his day job, salvaging digital detritus of what advertising companies label flaws. Reshaping this digital material in Photoshop, Southworth presents it in a new physical skin – imperceptible wallpaper, silk sculptures, and a collection of figurative paintings printed on canvas, paper, satin, or suede. Tiny pores, stray hairs, color adjustments, and blemishes become sustainable resources for Southworth’s paintings and sculptures. The bright and airy color palette of magentas, lavenders, and flesh tones, derived from the imagery, transcend a dreamlike atmosphere while clouding its origin of soft violence; a digital scalpel extracting and pushing pixels; imperfection is abstracted and beauty confounded. Floating in the space are Southworth’s silk sculptures. Suspended by wire, these objects are ghost-like, reminiscent of another lifeform, levitating between the two worlds of digital and physical, posing metaphysical questions of the state of being in a digital era. Hanging alongside the Photoshopped work are analog pieces created from the laborious act of mashing up beauty magazines. The amalgamation of imagery is illegible, creating a gritty, dirty gray, presented in the classic scale and format of portraiture. Ad, image, and origin are indecipherable, mirroring the confusion of self-perception within a culture inundated with digital manipulation and filters.  Pulling content from Southworth’s day job underscores the context labor plays as an artist today. Rather than juggle, Southworth disables the hurdle, enabling him to work as Artist and Image Correction Specialist simultaneously; a meta vocation in the complex world of freelance and capitalism. Within this workflow, creative freedom is unchained from time restraints and the artist’s dilemma burns: Does art imitate life or life imitate art?

Inconspicuously, the largest piece in the exhibition is the wallpaper installation, entitled Similar Seemingly Absurd Infinities. Southworth arduously removed dust particles from roughly 100 NASA space photos and overlapped the remains into a single image. Aptly and ironically, 70-80% of dust is made up of human skin, the largest organ in the human body. Subtly, Southworth presents us with an anti-portrait, humbly reminding us that we are all the same: ubiquitous, organic matter, dust, vulnerable inside and out, physically and digitally. In a culture inundated with self-centeredness, image, and manipulation, Southworth, literally and figuratively, saves the undesirable, forging its fragile nature into a looking glass and reminding us of our own human condition.


- Daina Mattis, Co-Director Undercurrent</description>
		
	</item>
		
		
	<item>
		<title>soft eulogies</title>
				
		<link>https://travisleroysouthworth.com/soft-eulogies</link>

		<pubDate>Tue, 24 Mar 2026 21:13:17 +0000</pubDate>

		<dc:creator>Travis LeRoy Southworth</dc:creator>

		<guid isPermaLink="true">https://travisleroysouthworth.com/soft-eulogies</guid>

		<description>

Soft Eulogies: Portraits from the Mempool, 2025-26
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b53cea9c4a29cf0abb98a12b9621879a1889f1417638dcddf8a59898b3681df2/SE_1_Bitcoin-is-dead_4a5e1e4b_Cypherpunk_0m00s_1x1.jpg" data-mid="246462719" border="0" alt="Bitcoin is dead" data-caption="Bitcoin is dead" src="https://freight.cargo.site/w/1000/i/b53cea9c4a29cf0abb98a12b9621879a1889f1417638dcddf8a59898b3681df2/SE_1_Bitcoin-is-dead_4a5e1e4b_Cypherpunk_0m00s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/99f4d52f102e283b655cea67357bc89c2ece36e122fe21fed2369009b939d9dc/SE_50_Apologies-are-dead_b9f64cc4_Backwards_23m09s_1x1.jpg" data-mid="246462782" border="0" alt="Apologies are dead" data-caption="Apologies are dead" src="https://freight.cargo.site/w/1000/i/99f4d52f102e283b655cea67357bc89c2ece36e122fe21fed2369009b939d9dc/SE_50_Apologies-are-dead_b9f64cc4_Backwards_23m09s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e93a5a2d8054edb70141ce87db7e92ced2e566cd87948d02e28fe60ebfbbcebb/SE_2303_Comms-are-dead_7d6f1a60_Mask_20m11s_1x1.jpg" data-mid="246521344" border="0" alt="Comms are dead" data-caption="Comms are dead" src="https://freight.cargo.site/w/1000/i/e93a5a2d8054edb70141ce87db7e92ced2e566cd87948d02e28fe60ebfbbcebb/SE_2303_Comms-are-dead_7d6f1a60_Mask_20m11s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5f2fb16903475cbb769b9a24b7bd627f73a01d114e9584d8768f1e9b59fe29e2/SE_62_Fern-groves-are-dead_e0f227e5_Cracked_4m59s_1x1.jpg" data-mid="246462783" border="0" alt="Fern groves are dead" data-caption="Fern groves are dead" src="https://freight.cargo.site/w/1000/i/5f2fb16903475cbb769b9a24b7bd627f73a01d114e9584d8768f1e9b59fe29e2/SE_62_Fern-groves-are-dead_e0f227e5_Cracked_4m59s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/115150b3ccd2fc45507373be41b3798bde42afb94c6d43fc1938c9d35f7cb9b9/SE_795_Intelligence-is-dead_c290403d_Classical_9m21s_1x1.jpg" data-mid="246520647" border="0" alt="Intelligence is dead" data-caption="Intelligence is dead" src="https://freight.cargo.site/w/1000/i/115150b3ccd2fc45507373be41b3798bde42afb94c6d43fc1938c9d35f7cb9b9/SE_795_Intelligence-is-dead_c290403d_Classical_9m21s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/919726b39994aa7ae379c09d0610491da0130e3f247396f784dab6834b03f707/SE_73_Bridge-relays-are-dead_9070fb45_Cypherpunk_12m20s_1x1.jpg" data-mid="246520511" border="0" alt="Bridge relays are dead" data-caption="Bridge relays are dead" src="https://freight.cargo.site/w/1000/i/919726b39994aa7ae379c09d0610491da0130e3f247396f784dab6834b03f707/SE_73_Bridge-relays-are-dead_9070fb45_Cypherpunk_12m20s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/2db4e60f205b671ebe10a509d74904728290203c0106248c012491af434031d9/SE_2227_Solitariness-is-dead_f58476b7_Hood_2m35s_1x1.jpg" data-mid="246520782" border="0" alt="Solitariness is dead" data-caption="Solitariness is dead" src="https://freight.cargo.site/w/1000/i/2db4e60f205b671ebe10a509d74904728290203c0106248c012491af434031d9/SE_2227_Solitariness-is-dead_f58476b7_Hood_2m35s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/88d7fc4a4ebcfc5410d4a33b9937b03f343a44bd1e18e1608678c20a74066f93/SE_2531_Film-festivals-are-dead_a30f4f2b_Classical_2m08s_1x1.jpg" data-mid="246521319" border="0" alt="Film festivals are dead" data-caption="Film festivals are dead" src="https://freight.cargo.site/w/1000/i/88d7fc4a4ebcfc5410d4a33b9937b03f343a44bd1e18e1608678c20a74066f93/SE_2531_Film-festivals-are-dead_a30f4f2b_Classical_2m08s_1x1.jpg" /&#62;


Release Details
Linkhttps://gamma.io/ordinals/collections/cmnqn9cmh0000js041pjct0nx/items

Title: Soft Eulogies

Works: 10,080 - one for every minute of a canonical week, each with a unique “[something] is dead” phrase


Format: Custom software, p5.js generative HTMLDate: Monday April 20th, 2026 - 10AM EDTPrice: 0.00021 BTC (≈ $15)Structure: 1440 images released each Monday over seven weeks between April 20&#38;nbsp; - June 01.
&#38;nbsp;

Platform: Gamma 
Chain: Bitcoin Ordinals
Data Each portrait is tied to the data of a specific Bitcoin transactionSeven Domains: Light, Code, Earth, Time, Media, Society, RestSilos: 21 skull profile bases (algorithmically distorted so no two are the same)

Statement

Soft Eulogies: Portraits from the Mempool is a series of 10,080 digital portraits, one for every minute of a canonical week. Each work is a time-based vigil for everything that has been declared “dead” in our feeds, markets, and lives. Details are tied to specific Bitcoin transactions from the mempool. It takes the length of that transaction’s confirmation time to draw, then settles into a minimal portrait built from a colored background, a faint skull silhouette, and the phrase “[something] is dead” at the bottom.&#38;nbsp;


Over the span of the project, thousands of small “deaths” accumulate into a larger meditation on value and loss in a media environment that constantly declares things over: “Bitcoin is dead,” “Portraits are dead,” “Truth is dead,” and so on. Each portrait is built from a p5.js, code-based walker line that traces a transaction’s waiting time. The line wraps around a faint profile trace of a skull and a minimal field of color. If a transaction was estimated to confirm in 5 minutes and 24 seconds, then the walker draws a continuous line within the portrait bounds for exactly that amount of time.


&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5686c75fac63d00c9fc3f98c18283775c99470259687145f11db707776af8780/SE_133_Rolling-terrain-is-dead_55d91b77_Flowers_22m36s_1x1.jpg" data-mid="246520529" border="0" alt="Rolling terrain is dead" data-caption="Rolling terrain is dead" src="https://freight.cargo.site/w/1000/i/5686c75fac63d00c9fc3f98c18283775c99470259687145f11db707776af8780/SE_133_Rolling-terrain-is-dead_55d91b77_Flowers_22m36s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/1b08d260a55bc697f4e354a17c0dc88b979d59e34e9a8b5be687a20ac876793b/SE_365_Actinium-is-dead_c3de26b1_Cracked_33m54s_1x1.jpg" data-mid="246520594" border="0" alt="Actinium is dead" data-caption="Actinium is dead" src="https://freight.cargo.site/w/1000/i/1b08d260a55bc697f4e354a17c0dc88b979d59e34e9a8b5be687a20ac876793b/SE_365_Actinium-is-dead_c3de26b1_Cracked_33m54s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/091bd35216cc1047b908b2aa2a84108e46bb133698ccd64cbaf85d7ee362b121/SE_90_Anarchy-is-dead_655198cc_Backwards_5m11s_1x1.jpg" data-mid="246520515" border="0" alt="Anarchy is dead" data-caption="Anarchy is dead" src="https://freight.cargo.site/w/1000/i/091bd35216cc1047b908b2aa2a84108e46bb133698ccd64cbaf85d7ee362b121/SE_90_Anarchy-is-dead_655198cc_Backwards_5m11s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/14e19e82d3cc4edc9abe2fa9d03d966590104cd7daf8facee10dac1de4e96225/SE_129_Third-person-voice-is-dead_4d7e0d1d_Xray_51m55s_1x1.jpg" data-mid="246520519" border="0" alt="Third person voice is dead" data-caption="Third person voice is dead" src="https://freight.cargo.site/w/1000/i/14e19e82d3cc4edc9abe2fa9d03d966590104cd7daf8facee10dac1de4e96225/SE_129_Third-person-voice-is-dead_4d7e0d1d_Xray_51m55s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d65d08b8bd184eb75cbfc21bdc81e7a44b45d59532dc69763c6d9af4de639abe/SE_720_Blockchain-protocols-are-dead_2c72bda2_Cypherpunk_14m26s_1x1.jpg" data-mid="246521353" border="0" alt="Blockchain protocols are dead" data-caption="Blockchain protocols are dead" src="https://freight.cargo.site/w/1000/i/d65d08b8bd184eb75cbfc21bdc81e7a44b45d59532dc69763c6d9af4de639abe/SE_720_Blockchain-protocols-are-dead_2c72bda2_Cypherpunk_14m26s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d15cf4065ff0c9c58a63bf5edbd7c994765d7bbc56a1c6d0f544e8b363cfa506/SE_317_Call-waiting-is-dead_035987b4_Mask_27m00s_1x1.jpg" data-mid="246520596" border="0" alt="Call waiting is dead" data-caption="Call waiting is dead" src="https://freight.cargo.site/w/1000/i/d15cf4065ff0c9c58a63bf5edbd7c994765d7bbc56a1c6d0f544e8b363cfa506/SE_317_Call-waiting-is-dead_035987b4_Mask_27m00s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f75abd99bb6eb32e4372b64e10bf8ef2fefdf61cff55c558d8111db6df5ef433/SE_247_Operations-are-dead_930a2114_Fire_16m35s_1x1.jpg" data-mid="246520533" border="0" alt="Operations are dead" data-caption="Operations are dead" src="https://freight.cargo.site/w/1000/i/f75abd99bb6eb32e4372b64e10bf8ef2fefdf61cff55c558d8111db6df5ef433/SE_247_Operations-are-dead_930a2114_Fire_16m35s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c69d716ec86682ae9f874297a983435e164bd6a93bf5775771983b31e7a965e0/SE_32_Virtual-worlds-are-dead_65f75ac6_Proto_16m58s_1x1.jpg" data-mid="246462779" border="0" alt="Virtual worlds are dead" data-caption="Virtual worlds are dead" src="https://freight.cargo.site/w/1000/i/c69d716ec86682ae9f874297a983435e164bd6a93bf5775771983b31e7a965e0/SE_32_Virtual-worlds-are-dead_65f75ac6_Proto_16m58s_1x1.jpg" /&#62;
Examples of subtle drawings and text as each inscription leaves the mempool. Drawing time is based on transaction time. So if a transaction takes 10 minutes 25 seconds to pass, it will draw for 10 minutes and 25 seconds.

The profile being traced is based on a series of twenty-one skulls that echo the side-on faces found on coins and medallions. Where a coin preserves the profile of a symbolic figure, these works replace it with a skeletal silhouette, as if the currency itself has passed into an afterlife.

ANIMATED VIGIL MODE


animated works, dimensions are variable based on browser window, one minute vigil animation, loop.


A “soft eulogy” is not the grand speech at a funeral, but the small, casual obituary one writes without thinking every time “X is dead” is posted online. It is the half-ironic, half-sincere way people bury ideas, technologies, and communities. Soft Eulogies treats those throwaway phrases as actual memorials. Each portrait takes one of these everyday obituaries such as “Artist statements are dead,” “Attention is dead,” or “Rest is dead” and gives it a skull and a trace of labor, turning a casual dismissal into a slow, persistent mark on the chain.


&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9574e4051932efb6aa2118819d2e8b0d827ffbdf4760544d83ba11a357749057/SE_284_Parallel-timelines-are-dead_0981f827_Fire_1m54s_1x1.jpg" data-mid="246520593" border="0" alt="Parallel timelines are dead" data-caption="Parallel timelines are dead" src="https://freight.cargo.site/w/1000/i/9574e4051932efb6aa2118819d2e8b0d827ffbdf4760544d83ba11a357749057/SE_284_Parallel-timelines-are-dead_0981f827_Fire_1m54s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9aa9a122133e5f141f5267bc392778f1f0980c196128337edfad8f93a70c6bd7/SE_469_Good-deals-are-dead_9da38664_Mask_32m23s_1x1.jpg" data-mid="246520623" border="0" alt="Good deals are dead" data-caption="Good deals are dead" src="https://freight.cargo.site/w/1000/i/9aa9a122133e5f141f5267bc392778f1f0980c196128337edfad8f93a70c6bd7/SE_469_Good-deals-are-dead_9da38664_Mask_32m23s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/445665cc151147d3c9171535c6614252f745557dc1b8465ac0bc046787012bea/SE_563_Omissions-are-dead_658274af_Blindfold_2m26s_1x1.jpg" data-mid="246520624" border="0" alt="Omissions are dead" data-caption="Omissions are dead" src="https://freight.cargo.site/w/1000/i/445665cc151147d3c9171535c6614252f745557dc1b8465ac0bc046787012bea/SE_563_Omissions-are-dead_658274af_Blindfold_2m26s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/37f9f037c283f557bd6a3978cee7d18b444cc85adb3216ad5250817515dcfe38/SE_524_Warm-silence-is-dead_e3959e15_Halo_42m18s_1x1.jpg" data-mid="246520695" border="0" alt="Warm silence is dead" data-caption="Warm silence is dead" src="https://freight.cargo.site/w/1000/i/37f9f037c283f557bd6a3978cee7d18b444cc85adb3216ad5250817515dcfe38/SE_524_Warm-silence-is-dead_e3959e15_Halo_42m18s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5c04527c0fa00375bcfcdb63e21aa2549b5695c3415688e2424a1f33792e1501/SE_776_Quarterly-reviews-are-dead_83339c9b_Zombie_15m43s_1x1.jpg" data-mid="246520626" border="0" alt="Quarterly reviews are dead" data-caption="Quarterly reviews are dead" src="https://freight.cargo.site/w/1000/i/5c04527c0fa00375bcfcdb63e21aa2549b5695c3415688e2424a1f33792e1501/SE_776_Quarterly-reviews-are-dead_83339c9b_Zombie_15m43s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5122befdf110750100c2b74b1c73292a1a44cff82ba71e1c3da638bb812c0b69/SE_420_Public-pools-are-dead_265dee41_Jester_21m56s_1x1.jpg" data-mid="246520612" border="0" alt="Public pools are dead" data-caption="Public pools are dead" src="https://freight.cargo.site/w/1000/i/5122befdf110750100c2b74b1c73292a1a44cff82ba71e1c3da638bb812c0b69/SE_420_Public-pools-are-dead_265dee41_Jester_21m56s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/a635a27bda979c97b940b7c7d276da274e62b9bb32e8120ba27683b7690989ad/SE_814_Work-ethic-is-dead_fb85e91a_Crown_53m01s_1x1.jpg" data-mid="246520637" border="0" alt="Work ethic is dead" data-caption="Work ethic is dead" src="https://freight.cargo.site/w/1000/i/a635a27bda979c97b940b7c7d276da274e62b9bb32e8120ba27683b7690989ad/SE_814_Work-ethic-is-dead_fb85e91a_Crown_53m01s_1x1.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3d8bc397d1ee72b240da0239a3f81f09ab8a3b143f005e08cf7ebbe78ebd029d/SE_290_Data-continuity-is-dead_f93c2443_Cypherpunk_13m16s_1x1.jpg" data-mid="246520595" border="0" alt="Data continuity is dead" data-caption="Data continuity is dead" src="https://freight.cargo.site/w/1000/i/3d8bc397d1ee72b240da0239a3f81f09ab8a3b143f005e08cf7ebbe78ebd029d/SE_290_Data-continuity-is-dead_f93c2443_Cypherpunk_13m16s_1x1.jpg" /&#62;


The release plays on a Genesis-inspired sequence: 10,080 works, one for each minute across seven days. Soft Eulogies unfolds as a continuous vigil structured around seven domains of death—Light, Code, Earth, Time, Media, Society, and finally Rest. Where the Book of Genesis describes the emergence of systems that make life possible, this project stages a reversed creation myth, charting the symbolic destruction of everything. 
A small number of 42 ‘historical’ transactions will be spread out: from the Bitcoin genesis block to the first transaction between Satoshi and Hal Finney, and onward to the present.


&#60;img width="1026" height="1025" width_o="1026" height_o="1025" data-src="https://freight.cargo.site/t/original/i/2dfd4dd375abd61be370f8a32c02eca4cce4cb5f54ef43eff9472d170929b62d/1-classical.svg" data-mid="246462634" border="0" alt="Classical" data-caption="Classical" src="https://freight.cargo.site/w/1000/i/2dfd4dd375abd61be370f8a32c02eca4cce4cb5f54ef43eff9472d170929b62d/1-classical.svg" /&#62;
&#60;img width="1114" height="1114" width_o="1114" height_o="1114" data-src="https://freight.cargo.site/t/original/i/fec1f83f75afe13f1ceebd6c8b713b8bb3aa00d6aea699ec7be0544416e4f7d4/21-halo.svg" data-mid="246462654" border="0" alt="Halo" data-caption="Halo" src="https://freight.cargo.site/w/1000/i/fec1f83f75afe13f1ceebd6c8b713b8bb3aa00d6aea699ec7be0544416e4f7d4/21-halo.svg" /&#62;
&#60;img width="1114" height="1114" width_o="1114" height_o="1114" data-src="https://freight.cargo.site/t/original/i/de83042c1a90ce968011124eb4868ad63cd41ba4d8cf228a60013818533d5703/8-flowers.svg" data-mid="246462641" border="0" alt="Flowers" data-caption="Flowers" src="https://freight.cargo.site/w/1000/i/de83042c1a90ce968011124eb4868ad63cd41ba4d8cf228a60013818533d5703/8-flowers.svg" /&#62;
&#60;img width="1114" height="1114" width_o="1114" height_o="1114" data-src="https://freight.cargo.site/t/original/i/24a2eb5464a7cf1fb2abb2fd29d368a46348828d8924e787019310a634120fbc/15-proto.svg" data-mid="246462648" border="0" alt="Proto" data-caption="Proto" src="https://freight.cargo.site/w/1000/i/24a2eb5464a7cf1fb2abb2fd29d368a46348828d8924e787019310a634120fbc/15-proto.svg" /&#62;
&#60;img width="1114" height="1114" width_o="1114" height_o="1114" data-src="https://freight.cargo.site/t/original/i/0256a0b922553d57b760fd5e64d53bb02eed824b4f590d12766b88d68464d17e/11-fire.svg" data-mid="246462644" border="0" alt="Flaming" data-caption="Flaming" src="https://freight.cargo.site/w/1000/i/0256a0b922553d57b760fd5e64d53bb02eed824b4f590d12766b88d68464d17e/11-fire.svg" /&#62;
&#60;img width="1114" height="1114" width_o="1114" height_o="1114" data-src="https://freight.cargo.site/t/original/i/62efed510e7d5460f88b44638619ee4d22a87e18270c9a64cee7c7e0c9c76a12/16-backwards.svg" data-mid="246462649" border="0" alt="Backwards" data-caption="Backwards" src="https://freight.cargo.site/w/1000/i/62efed510e7d5460f88b44638619ee4d22a87e18270c9a64cee7c7e0c9c76a12/16-backwards.svg" /&#62;
&#60;img width="1114" height="1114" width_o="1114" height_o="1114" data-src="https://freight.cargo.site/t/original/i/0f85c9fee7895cf418f69c0c4cfcdcbb176afd8753fdafc206d309d8216547d0/5-cypherpunk.svg" data-mid="246462638" border="0" alt="Cypherpunk" data-caption="Cypherpunk" src="https://freight.cargo.site/w/1000/i/0f85c9fee7895cf418f69c0c4cfcdcbb176afd8753fdafc206d309d8216547d0/5-cypherpunk.svg" /&#62;
&#60;img width="1099" height="1099" width_o="1099" height_o="1099" data-src="https://freight.cargo.site/t/original/i/d3b4ebbdc5f8f80ebe16a68b01a64c161914816028493d8a79d8c9a6d6182079/7-cracked.svg" data-mid="246462640" border="0" alt="Cracked" data-caption="Cracked" src="https://freight.cargo.site/w/1000/i/d3b4ebbdc5f8f80ebe16a68b01a64c161914816028493d8a79d8c9a6d6182079/7-cracked.svg" /&#62;

The series is built on a tightly constrained technical system that echoes Bitcoin’s own limits. Twenty-one base skulls that reference the 21 million BTC cap. Each is hand-drawn by the artist as SVGs, converted into javascript paths. The skulls serve as silo-containers for the walker drawings. These skulls borrow from both historical and contemporary iconography, from coin profiles to pop-cultural memento mori, and are algorithmically distorted according to each work’s transaction data so that no two silhouettes are the same. A p5.js script reads various Bitcoin parameters such as fee rate, transferred value, block height, and inputs/outputs to subtly modulate different aspects of the image. Some portraits resolve into sparse, almost monochrome heads; others become busier and more colorful, reflecting the varying intensity of the transactions that shaped them.


Soft Eulogies extends two key trajectories in Southworth’s practice: the time-based line of The Continuous Work Drawings (2012) and the obituaries-for-Bitcoin logic of The Revenant (2024). In The Continuous Work Drawings, a single unbroken line recorded the duration of the artist’s own labor, turning time spent working at the screen into a fragile, accumulative mark. In Soft Eulogies, that logic is shifted onto the Bitcoin network: each portrait becomes a continuous work drawing of a transaction’s confirmation time, measuring the chain’s computational labor instead of the artist’s hand. The Revenant reclaimed headlines that declared Bitcoin “dead,” transforming them into uncanny portraits that visualized the currency’s repeated returns from supposed extinction.


--
Each work is browser size responsive and contains a number of controls to animate and export files.
Visit the work your work at https://ordinals.com/content/“ENTER INSCRIPTION ID HERE”
Example
https://ordinals.com/content/0387178248ed89fd08450f3a6061fc5c69c951f50fab692b514b23c82b5970b4i0### Keyboard Controls

&#124; Key &#124; Action &#124;
&#124;-----&#124;--------&#124;
&#124; `1` &#124; **Memorial** — the default still portrait. All layers render to completion and display as a single composed image. This is what loads on open. &#124;
&#124; `2` &#124; **Capped** — animates the drawing process at the transaction's actual passage time (confirmation time), capped at 10 minutes. The inner walker freezes when the animation completes. &#124;
&#124; `3` &#124; **Vigil** — compresses the entire animation into a one-minute loop. Atmospheric effects breathe, clouds drift, and the heartbeat pulse animates the dead phrase. Seamlessly restarts. &#124;
&#124; `+` &#124; **Zoom In** — closer crop, shifts composition downward toward skull center (5 levels) &#124;
&#124; `-` &#124; **Zoom Out** — wider view, reveals more background (tapers on extreme aspect ratios) &#124;
&#124; `S` &#124; **Export Square** — saves a 3600×3600 archival-resolution PNG of the current portrait &#124;
&#124; `E` &#124; **Export Screen** — saves a PNG at 3600px at the longest dimension of the current browser window ratio (respects current zoom level) &#124;
&#124; `F` &#124; **Full Screen** — enlarges artwork to the full browser window based on screen size &#124;
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